| eBook Code |
Title |
Author |
| ADGB002 |
Aboriginal American Authors and Their Productions
|
Daniel G. Brinton |
| EWHP001 |
Aesthetic Poetry
|
Walter Pater |
| GFSX013 |
Aesthetical Essays
| |
The Moral Utility of Aesthetic Manners |
| |
On the Sublime |
| |
The Pathetic |
| |
On Grace and Dignity |
| |
On Dignity |
| |
On the Necessary Limitations in the Use of Beauty of Form |
| |
Reflections on the Use of the Vulgar and Low Elements in Works of Art |
| |
Detached Reflections on Different Questions of Aesthetics |
| |
On Simple and Sentimental Poetry |
| |
Sentimental Poetry |
| |
Satirical Poetry |
| |
Elegiac Poetry |
| |
Idyl |
| |
The Stage as a Moral Institution |
| |
On the Tragic Art |
| |
Of the Cause of the Pleasure We Derive from Tragic Objects |
|
Friedrich Schiller |
| ATSE004 |
After Strange Gods
|
T. S. Eliot |
| EACS005 |
The Age of Shakespeare
| |
Christopher Marlowe |
| |
John Webster |
| |
Thomas Dekker |
| |
John Marston |
| |
Thomas Middleton |
| |
William Rowley |
| |
Thomas Heywood |
| |
George Chapman |
| |
Cyril Tourneur |
|
Algernon Charles Swinburne |
| EGKC029 |
Alarms and Discursions
| |
On Gargoyles |
| |
The Surrender of a Cockney |
| |
The Nightmare |
| |
The Telegraph Poles |
| |
A Drama of Dolls |
| |
The Man and His Newspaper |
| |
The Appetite of Earth |
| |
Simmons and the Social Tie |
| |
Cheese |
| |
The Red Town |
| |
The Furrows |
| |
The Philosophy of Sight-seeing |
| |
A Criminal Head |
| |
The Wrath of the Roses |
| |
The Gold of Glastonbury |
| |
The Futurists |
| |
Dukes |
| |
The Glory of Grey |
| |
The Anarchist |
| |
How I Found the Superman |
| |
The New House |
| |
The Wings of Stone |
| |
The Three Kinds of Men |
| |
The Steward of the Chiltern Hundreds |
| |
The Field of Blood |
| |
The Strangeness of Luxury |
| |
The Triumph of the Donkey |
| |
The Wheel |
| |
Five Hundred and Fifty-five |
| |
Ethandune |
| |
The Flat Freak |
| |
The Garden of the Sea |
| |
The Sentimentalist |
| |
The White Horses |
| |
The Long Bow |
| |
The Modern Scrooge |
| |
The High Plains |
| |
The Chorus |
| |
A Romance of the Marshes |
|
G. K. Chesterton |
| EGKC024 |
All Things Considered
| |
The Case for the Ephemeral |
| |
Cockneys and Their Jokes |
| |
The Fallacy of Success |
| |
On Running After One's Hat |
| |
The Vote and the House |
| |
Conceit and Caricature |
| |
Patriotism and Sport |
| |
An Essay on Two Cities |
| |
French and English |
| |
The Zola Controversy |
| |
Oxford From Without |
| |
Woman |
| |
The Modern Martyr |
| |
On Political Secrecy |
| |
Edward VII and Scotland |
| |
Thoughts Around Koepenick |
| |
The Boy |
| |
Limericks and Counsels of Perfection |
| |
Anonymity and Further Counsels |
| |
On the Cryptic and the Elliptic |
| |
The Worship of the Wealthy |
| |
Science and Religion |
| |
The Methuselahite |
| |
Spiritualism |
| |
The Error of Impartiality |
| |
Phonetic Spelling |
| |
Humanitarianism and Strength |
| |
Wine When it is Red |
| |
Demagogues and Mystagogues |
| |
The "Eatanswill Gazette" |
| |
Fairy Tales |
| |
Tom Jones and Morality |
| |
The Maid of Orleans |
| |
A Dead Poet |
| |
Christmas |
|
G. K. Chesterton |
| ABLP001 |
The American Spirit in Literature
|
Bliss Perry |
| REGX001 |
Anarchism and Other Essays
| |
Anarchism: What it Really Stands For |
| |
Minorities Versus Majorities |
| |
The Psychology of Political Violence |
| |
Prisons: A Social Crime and Failure |
| |
Patriotism: A Menace to Liberty |
| |
Francisco Ferrer and the Modern School |
| |
The Hypocrisy of Puritanism |
| |
The Traffic in Women |
| |
Woman Suffrage |
| |
The Tragedy of Woman's Emancipation |
| |
Marriage and Love |
| |
The Modern Drama: A Powerful Disseminator of Radical Thought |
|
Emma Goldman |
| ANHX012 |
The Ancestral Footstep
|
Nathaniel Hawthorne |
| EMXB001 |
And Even Now
| |
A Relic |
| |
How Shall I Word It? |
| |
Mobled King |
| |
Kolniyatsch |
| |
No. 2 The Pines |
| |
A Letter That Was Not Written |
| |
Books Within Books |
| |
The Golden Drugget |
| |
Hosts and Guests |
| |
A Point to Be Remembered By Very Eminent Men |
| |
Servants |
| |
Going Out For A Walk |
| |
Quia Imperfectum |
| |
Something Defeasible |
| |
A Clergyman |
| |
The Crime |
| |
In Homes Unblest |
| |
William and Mary |
| |
On Speaking French |
| |
Laughter |
|
Max Beerbohm |
| EJGX022 |
Another Sheaf
| |
The Road |
| |
The Sacred Work |
| |
The Balance Sheet of the Soldier-Workman |
| |
The Children's Jewel Fund |
| |
France, 1916-1917, An Impression |
| |
Englishman and Russian |
| |
American and Briton |
| |
Anglo-American Drama and its Future |
| |
Speculations |
| |
The Land, 1917 |
| |
The Land, 1918 |
| |
Grotesques |
|
John Galsworthy |
| AHJX018 |
The Art of Fiction
|
Henry James |
| GASX004 |
The Art of Literature
| |
On Authorship |
| |
On Style |
| |
On The Study of Latin |
| |
On Men of Learning |
| |
On Thinking for Oneself |
| |
On Criticism |
| |
On Reputation |
| |
On Genius |
|
Arthur Schopenhauer |
| EGOX025 |
Arthur Koestler
|
George Orwell * |
| EGOX030 |
As I Please
|
George Orwell * |
| EACB009 |
At Large
| |
The Scene |
| |
Contentment |
| |
Friendship |
| |
Humour |
| |
Travel |
| |
Specialism |
| |
Our Lack of Great Men |
| |
Shyness |
| |
Equality |
| |
The Dramatic Sense |
| |
Kelmscott and William Morris |
| |
A Speech-Day |
| |
Literary Finish |
| |
A Midsummer Day's Dream |
| |
Symbols |
| |
Optimism |
| |
Joy |
| |
The Love of God |
|
A. C. Benson |
| EABZ007 |
The Author's Craft
|
Arnold Bennett |
| EATX014 |
Autobiography
|
Anthony Trollope |
| ESTC004 |
Biographia Literaria
|
Samuel Taylor Coleridge |
| ETDQ005 |
Biographical Essays
| |
Shakespeare |
| |
Pope |
| |
Charles Lamb |
| |
Goethe |
| |
Schiller |
|
Thomas De Quincey |
| GFWN003 |
The Birth of Tragedy
|
Friedrich Nietzsche |
| EIAX003 |
The Book of Delight & Other Papers
| |
The Book of Delight |
| |
A Visit to Hebron |
| |
The Solace of Books |
| |
Medieval Wayfaring |
| |
The Fox's Heart |
| |
"Marriages Are Made in Heaven" |
| |
Hebrew Love Songs |
| |
A Handful of Curiosities |
|
Israel Abrahams |
| EEVL004 |
A Boswell of Baghdad and Diversions
| |
A Boswell of Baghdad |
| |
Nurses |
| |
No. 344260 |
| |
The Two Perkinses |
| |
Arts of Invasion |
| |
The Marble Arch and Peter Magnus |
| |
The Oldest Joke |
| |
The Puttenhams |
| |
Poetry Made Easy |
| |
A Pioneer |
| |
Full Circle |
| |
A Friend of Man |
| |
The Listener |
| |
The Dark Secret |
| |
The Scholar and the Pirate |
| |
A Set of Three |
| |
A Lesson |
| |
A Revel in Gambogia |
| |
The Misfire |
| |
A Letter |
| |
A Manor in the Air |
| |
Rivalry |
| |
A First Communion in the War Zone |
| |
The Ace of Diamonds |
| |
The Reward of our Brother the Poilu |
|
E. V. Lucas |
| EGOX026 |
Boy's Weeklies and Frank Richards' Reply
|
George Orwell * |
| GFSX018 |
The Bride of Messina [Play]
| |
On the Use of the Chorus in Tragedy |
| |
The Bride of Messina |
|
Friedrich Schiller |
| TGMX001 |
Byron and Goethe
|
Giuseppe Mazzini |
| ESBX007 |
Canterbury Pieces
| |
Darwin on the Origin of Species |
| |
A Dialogue |
| |
Barrel-Organs |
| |
Darwin on Species |
| |
Darwin Among the Machines |
| |
Lucubratio Ebria |
| |
A Note on "The Tempest" Act III, Scene I |
| |
The English Cricketers |
|
Samuel Butler |
| GRCE009 |
A Catholic Religious Philosophy of the Present Day
|
Rudolf Eucken |
| EATM007 |
Ceres' Runaway and Other Essays
| |
Ceres' Runaway |
| |
A Vanquished Man |
| |
A Northern Fancy |
| |
Laughter |
| |
Harlequin Mercutio |
| |
The Little Language |
| |
Anima Pellegrina! |
| |
The Sea Wall |
| |
The Daffodil |
| |
Addresses |
| |
The Audience |
| |
Tithonus |
| |
The Tow Path |
| |
The Tethered Constellations |
| |
Popular Burlesque |
| |
Dry Autumn |
| |
The Plaid |
| |
Two Burdens |
| |
The Unready |
| |
The Child of Tumult |
| |
The Child of Subsiding Tumult |
|
Alice Meynell |
| EHGW041 |
Certain Personal Matters
| |
Thoughts on Cheapness and My Aunt Charlotte |
| |
The Trouble of Life |
| |
On the Choice of A Wife |
| |
The House of Di Sorno |
| |
Of Conversation |
| |
In A Literary Household |
| |
On Schooling and the Phases of Mr. Sandsome |
| |
The Poet and the Emporium |
| |
The Language of Flowers |
| |
The Literary Regimen |
| |
House-Hunting As An Outdoor Amusement |
| |
Of Blades and Bladery |
| |
Of Cleverness |
| |
The Pose Novel |
| |
The Veteran Cricketer |
| |
Concerning A Certain Lady |
| |
The Shopman |
| |
The Book of Curses |
| |
Dunstone's Dear Lady |
| |
Euphemia's New Entertainment |
| |
For Freedom of Spelling |
| |
Incidental Thoughts on A Bald Head |
| |
Of A Book Unwritten |
| |
The Extinction of Man |
| |
The Writing of Essays |
| |
The Parkes Museum |
| |
Bleak March in Epping Forest |
| |
The Theory of Quotation |
| |
On the Art of Staying At the Seaside |
| |
Concerning Chess |
| |
The Coal-Scuttle |
| |
Bagarrow |
| |
The Book of Essays Dedicatory |
| |
Through A Microscope |
| |
The Pleasure of Quarrelling |
| |
The Amateur Nature-Lover |
| |
From An Observatory |
| |
The Mode in Monuments |
| |
How I Died |
|
H. G. Wells |
| EIAX002 |
Chapters on Jewish Literature
|
Israel Abrahams |
| EGOX014 |
Charles Dickens
|
George Orwell * |
| ETCX006 |
On The Choice of Books
|
Thomas Carlyle |
| EMXB005 |
A Christmas Garland
| |
The Mote in the Middle Distance |
| |
P.C., X, 36 |
| |
Out of Harm's Way |
| |
Perkins and Mankind |
| |
Some Damnable Errors About Christmas |
| |
A Sequelula to "The Dynasts" |
| |
Shakespeare and Christmas |
| |
Scruts |
| |
Endeavour |
| |
Christmas |
| |
The Feast |
| |
A Recollection |
| |
Of Christmas |
| |
A Straight Talk |
| |
Fond Hearts Askew |
| |
Dickens |
| |
Euphemia Clashthought |
|
Max Beerbohm |
| EEDT003 |
Cloud Castle and Other Papers
| |
Cloud Castle |
| |
Aunt Ann's Cottage |
| |
The Ship of Swallows |
| |
Morgan |
| |
Helen |
| |
Isoud |
| |
A Man of the Woods |
| |
Seven Tramps: a Study in Brown |
| |
Death by Misadventure |
| |
A Colloquy in a Library |
| |
Felix |
| |
Bronwen: A Welsh Idyll |
| |
Mike |
| |
Saved Time |
| |
The Moon |
|
Edward Thomas |
| EATM002 |
The Colour of Life
| |
The Colour of Life |
| |
A Point of Biography |
| |
Cloud |
| |
Winds of the World |
| |
The Honours of Mortality |
| |
At Monastery Gates |
| |
Rushes and Reeds |
| |
Eleonora Duse |
| |
Donkey Races |
| |
Grass |
| |
A Woman in Grey |
| |
Symmetry and Incident |
| |
The Illusion of Historic Time |
| |
Eyes |
|
Alice Meynell |
| EGEX012 |
The Complete Essays of George Eliot
| |
Analysis of Motives |
| |
Carlyle's Life of Sterling |
| |
Woman in France: Madame De Sable |
| |
Evangelical Teaching: Dr. Cumming |
| |
German Wit: Henry Heine |
| |
The Natural History of German Life |
| |
Silly Novels by Lady Novelists |
| |
Worldliness and Other-Worldliness: the Poet Young |
| |
The Influence of Rationalism |
| |
The Grammar of Ornament |
| |
Address to Working Men, by Felix Holt |
|
George Eliot * |
| ACDW002 |
The Complete Essays
| |
A Night in the Garden of the Tuileries |
| |
Truthfullness |
| |
The Pursuit of Happiness |
| |
Literature and the Stage |
| |
The Life-Saving and Life Prolonging Art |
| |
"H.H." in Southern California |
| |
Simplicity |
| |
The English Volunteers During the Late Invasion |
| |
Nathan Hale |
| |
Fashions in Literature |
| |
The American Newspaper |
| |
Certain Diversities of American Life |
| |
The Pilgrim, and the American of Today |
| |
Some Causes of the Prevailing Discontent |
| |
The Education of the Negro |
| |
The Indeterminate Sentence - What Shall be Done With the Crimanl Class? |
| |
Literary Copyright |
| |
The Relation of Literature to Life |
| |
Equality |
| |
What Is Your Culture to Me? |
| |
Modern Fiction |
| |
Thoughts Suggested by Mr. Froude's "Progress" |
| |
England |
| |
The Novel and the Common School |
| |
The People For Whom Shakespeare Wrote |
| |
Rose and Chrysanthemum |
| |
The Red Bonnet |
| |
The Loss in Civilization |
| |
Social Screaming |
| |
Does Refinement Kill Individuality? |
| |
The Directoire Gown |
| |
The Mystery of the Sex |
| |
The Clothes of Fiction |
| |
The Broad A |
| |
Chewing Gum |
| |
Women in Congress |
| |
Shall Women Propose? |
| |
Frocks and the Stage |
| |
Altruism |
| |
Social Clearing-House |
| |
Dinner-Table Talk |
| |
Naturalization |
| |
The Art of Governing |
| |
Love of Display |
| |
Value of the Commonplace |
| |
The Burden of Christmas |
| |
The Responsibility of Writers |
| |
The Cap and Gown |
| |
A Tendency of the Age |
| |
A Locoed Novelist |
| |
Our President |
| |
The Newspaper-Made Man |
| |
Interesting Girls |
| |
Give the Men a Chance |
| |
The Advent of Candor |
| |
The American Man |
| |
The Electric Way |
| |
Can a Husband Open His Wife's Letters? |
| |
A Leisure Class |
| |
Weather and Character |
| |
Born With an "Ego" |
| |
Juventus Mundi |
| |
A Beautiful Old Age |
| |
The Attraction of the Repulsive |
| |
Giving as a Luxury |
| |
Climate and Happiness |
| |
The New Feminine Reserve |
| |
Repose in Activity |
| |
Women - Ideal and Real |
| |
The Art of Idleness |
| |
Is There Any Conversation? |
| |
The Tall Girl |
| |
The Deadly Diary |
| |
The Whistling Girl |
| |
Born Old and Rich |
| |
The "Old Soldier" |
| |
The Island of Bimini |
| |
June |
|
Charles Dudley Warner |
| ACDW001 |
The Complete Writings - 4 Volumes in 1
| |
Backlog Studies |
| |
Baddeck and That Sort of Thing |
| |
Calvin |
| |
Misapprehension Corrected |
| |
In The Wilderness |
| |
How Spring Came in New England |
| |
Captain John Smith |
| |
On Horseback |
| |
A Boy |
| |
Gardening (20 Essays) |
| |
European Travel (Over 50 Essays) |
|
Charles Dudley Warner |
| AJUH002 |
Confessions and Criticisms
| |
A Preliminary Confession |
| |
Novels and Agnosticism |
| |
Americanism in Fiction |
| |
Literature for Children |
| |
The Moral Aim in Fiction |
| |
The Maker of Many Books |
| |
Mr. Mallock's Missing Science |
| |
Theodore Winthrop's Writings |
| |
Emerson as an American |
| |
Modern Magic |
| |
American Wild Animals in Art |
|
Julian Hawthorne |
| EGAM005 |
Confessions of a Young Man
|
George Moore |
| ORTX007 |
Creative Unity
| |
The Poet's Religion |
| |
The Creative Ideal |
| |
The Religion of the Forest |
| |
An Indian Folk Religion |
| |
East and West |
| |
The Modern Age |
| |
The Spirit of Freedom |
| |
The Nation |
| |
Woman and Home |
| |
An Eastern University |
|
Rabindranath Tagore |
| AJGW014 |
Criticism
| |
Evangeline |
| |
Mirth and Medicine |
| |
Fame and Glory |
| |
Fanaticism |
| |
The Poetry of the North |
|
John Greenleaf Whittier |
| AWDH024 |
Criticism and Fiction
|
William Dean Howells |
| EAPX001 |
An Essay on Criticism
|
Alexander Pope |
| AEAP003 |
Criticism, Marginalia and Other Miscellaneous Works
|
Edgar Allan Poe |
| EHHE002 |
The Dance of Life
|
Havelock Ellis |
| ZUSL019 |
Daniel Webster's Speech on the State of Our Literature
|
Letters & Speeches - US |
| IOWX004 |
De Profundis
|
Oscar Wilde * |
| EGKC025 |
The Defendant
| |
A Defence of Penny Dreadfuls |
| |
A Defence of Rash Vows |
| |
A Defence of Skeletons |
| |
A Defence of Publicity |
| |
A Defence of Nonsense |
| |
A Defence of Planets |
| |
A Defence of China Shepherdesses |
| |
A Defence of Useful Information |
| |
A Defence of Heraldry |
| |
A Defence of Ugly Things |
| |
A Defence of Farce |
| |
A Defence of Humility |
| |
A Defence of Slang |
| |
A Defence of Baby-Worship |
| |
A Defence of Detective Stories |
| |
A Defence of Patriotism |
|
G. K. Chesterton |
| AMTX025 |
In Defense of Harriet Shelley
|
Mark Twain * |
| EPBS001 |
A Defense of Poetry & Other Essays
| |
On Love |
| |
On Life |
| |
On A Future State |
| |
On The Punishment of Death |
| |
Speculations on Metaphysics |
| |
Speculations on Morals |
| |
Essay On The Literature, the Arts, and the Manners of the Athenians |
| |
On The Symposium, or Preface to the Banquet of Plato |
| |
A Defence of Poetry |
|
Percy Bysshe Shelley |
| GSFX080 |
Delusion and Dream
|
Sigmund Freud |
| EAMX020 |
Dog and Duck
| |
Dog and Duck |
| |
Why New Year? |
| |
On Valentines and Other Things |
| |
On Simnel Cakes |
| |
'April Fool!' |
| |
The Merry Month of May |
| |
A Midsummer Night's Dream |
| |
July Sport with Some Remarks on Young Mr. Blueface |
| |
'A Thorough Change' |
| |
Roast Goose with a Dissertation on Apple Sauce and Sage and Onions |
| |
Where Are the Fogs of Yesteryears? |
| |
Martinmas |
| |
Christmas Mumming |
| |
A Talk for Twelfth Night |
| |
Some February Stars |
| |
March and a Moral |
| |
St. George and the Dragon |
| |
The Poor Victorians |
| |
Stuff - and Science |
| |
On Holidays |
| |
Six Dozen of Port |
| |
The Custom of the Manor |
| |
The Vice of Collecting |
| |
Splendour |
| |
How to Spend Christmas |
| |
Adelphi: Farewell! |
| |
The Art of Unbelief |
|
Arthur Machen |
| ESMX043 |
Don Fernando
|
W. Somerset Maugham |
| GHHX009 |
Don Quixote
|
Heinrich Heine |
| EASM001 |
Dreamthorp: Essays Written in the Country
| |
Dreamthorp |
| |
On the Writing of Essays |
| |
Of Death and the Fear of Dying |
| |
William Dunbar |
| |
A Lark's Flight |
| |
Christmas |
| |
Men of Letters |
| |
On the Importance of A Man to Himself |
| |
A Shelf in My Bookcase |
| |
Geoffrey Chaucer |
| |
Books and Gardens |
| |
On Vagabonds |
|
Alexander Smith |
| EGOX032 |
Early Essays
| |
A Farthing Newspaper |
| |
A Hanging |
| |
Hop-Picking |
| |
The Spike |
| |
Clink |
| |
Common Lodging Houses |
| |
In Defence of the Novel |
| |
Bookshop Memories |
| |
Spilling the Spanish Beans |
| |
Why I Joined the Independent Labour Party |
| |
Marrakech |
| |
Not Counting Niggers |
| |
Democracy in the British Army |
|
George Orwell * |
| EGES003 |
The English Novel
|
George Saintsbury |
| EHGW032 |
An Englishman Looks at the World
| |
The Coming of Blériot |
| |
My First Flight |
| |
Off the Chain |
| |
Of the New Reign |
| |
Will the Empire Live? |
| |
The Labour Unrest |
| |
Social Panaceas |
| |
Syndicalism Or Citizenship |
| |
The Great State |
| |
The Common Sense of Warfare |
| |
The Contemporary Novel |
| |
The Philosopher's Public Library |
| |
About Chesterton and Belloc |
| |
About Sir Thomas More |
| |
Traffic and Rebuilding |
| |
The So-called Science of Sociology |
| |
Divorce |
| |
The Schoolmaster and the Empire |
| |
The Endowment of Motherhood |
| |
Doctors |
| |
An Age of Specialisation |
| |
Is There A People? |
| |
The Disease of Parliaments |
| |
The American Population |
| |
The Possible Collapse of Civilisation |
| |
The Ideal Citizen |
| |
Some Possible Discoveries |
| |
The Human Adventure |
|
H. G. Wells |
| ELAB001 |
The Epic
|
Lascelles Abercrombie |
| EACB003 |
Escape and Other Essays
| |
Escape |
| |
Literature and Life |
| |
The New Poets |
| |
Walt Whitman |
| |
Charm |
| |
Sunset |
| |
The House of Pengersick |
| |
Villages |
| |
Dreams |
| |
The Visitant |
| |
That Other One |
| |
Schooldays |
| |
Authorship |
| |
Herb Moly and Heartsease |
| |
Behold, this Dreamer Cometh |
|
A. C. Benson |
| EGME002 |
Essay On Comedy
|
George Meredith |
| ARWE004 |
Essays From the Dial
| |
Agriculture of Massachusetts |
| |
America; An Ode and Other Poems |
| |
Ancient Spanish Ballads, Historical and Romantic |
| |
Antislavery Poems |
| |
The Bible in Spain |
| |
Chardon Street and Bible Conventions |
| |
Confessions of St. Augustine |
| |
The Dream of a Day and Other Poems |
| |
English Reformers |
| |
Essays and Poems (Critique) |
| |
Europe and European Books |
| |
Fourierism and the Socialists |
| |
Glory |
| |
Harvard University |
| |
The Huguenots in France and America |
| |
Intelligence |
| |
Letter to Rev. Wm E. Channing, D.D. |
| |
A Letter |
| |
Literary Intelligence |
| |
Michael Angelo, Considered as a Philosophic Poet |
| |
New Poetry |
| |
Paracelsus |
| |
Past and Present |
| |
Poems By Tennyson |
| |
Poems by William Ellery Channing |
| |
Prayers |
| |
The Senses and the Soul |
| |
Social Destiny of Man; or Association and Reorganization of Industry |
| |
Sonnets and Other Poems |
| |
The Spanish Student; A Play in Three Acts |
| |
Tecumseh; a Poem |
| |
Thoughts on Modern Literature |
| |
The Tragic |
| |
Transcendentalism |
| |
Two Years Before the Mast; A Personal Narrative of Life at Sea |
| |
Walter Savage Landor |
| |
The Zincali; or An Account of the Gypsies of Spain |
|
Ralph Waldo Emerson |
| EHWN002 |
Essays in Rebellion
| |
The Catfish |
| |
Rebellion |
| |
"Either Cowards Or Unhappy" |
| |
Deeds Not Words |
| |
The Burning Book |
| |
"Where Cruel Rage" |
| |
The Chief of Rebels |
| |
The Iron Crown |
| |
"The Imperial Race" |
| |
The Great Unknown |
| |
The Worth of A Penny |
| |
"Fix Bayonets!" |
| |
"Our Fathers Have Told Us" |
| |
The Grand Jury |
| |
A New Conscription |
| |
The Last of the Runnymedes |
| |
Children of the State |
| |
The Judgment of Paris |
| |
Abdul's Retreat |
| |
"Natives" |
| |
Under the Yoke |
| |
Black and White |
| |
Peace and War in the Balance |
| |
The Maid |
| |
The Heroine |
| |
The Penalty of Virtue |
| |
"The Daily Round, the Common Task" |
| |
The Charm of Commonplace |
| |
The Priest of Nemi |
| |
The Underworld of Time |
| |
Mental Eugenics |
| |
The Medicine of the Mind |
| |
The Last Fence |
| |
The Element of Calm |
| |
"The King of Terrors" |
| |
Struldbrugs |
| |
"Liberté, Liberté, Chérie!" |
| |
A Farewell to Fleet Street |
|
Henry Nevinson |
| ERLS012 |
Essays in the Art of Writing
| |
On Some Technical Elements of Style in Literature |
| |
The Morality of the Profession of Letters |
| |
Books Which Have Influenced Me |
| |
A Note on Realism |
| |
My First Book: Treasure Island' |
| |
The Genesis of The Master of Ballantrae' |
| |
Preface to The Master of Ballantrae' |
|
Robert Louis Stevenson |
| NHHB004 |
Essays on Scandinavian Literature
| |
Björnstjerne Björnson |
| |
Alexander Kielland |
| |
Jonas Lie |
| |
Hans Christian Andersen |
| |
Contemporary Danish Literature |
| |
Georg Brandes |
| |
Esaias Tegnér |
|
Hjalmar Hjorth Boyesen |
| ABFX002 |
Essays, Editorial & Commentary
| |
Over Two-Hundred Essays & Editorials |
|
Benjamin Franklin |
| ENDX005 |
Experiments
| |
Arabia Deserta |
| |
The Correct Thing |
| |
Blind Guides |
| |
At the Forge |
| |
Edgar Allan Poe |
| |
Belladonna |
| |
Nocturne |
| |
Intellectual Nomadism |
| |
The Last Word |
| |
A Mad Englishman |
| |
Queer! |
| |
Anacreontic |
| |
A Plea for Better Manners |
|
Norman Douglas |
| AMTX028 |
Fenimore Cooper's Literary Offences
|
Mark Twain * |
| EADX001 |
Fielding
|
Henry Austin Dobson |
| EAWS002 |
Figures of Several Centuries
| |
Saint Augustine |
| |
Charles Lamb |
| |
Villon |
| |
Casanova At Dux: An Unpublished Chapter of History |
| |
John Donne |
| |
Emily Brontë |
| |
Edgar Allan Poe |
| |
Thomas Lovell Beddoes |
| |
Gustave Flaubert |
| |
George Meredith As A Poet |
| |
Algernon Charles Swinburne |
| |
Dante Gabriel Rossetti |
| |
A Note on the Genius of Thomas Hardy |
| |
Léon Cladel |
| |
Henrik Ibsen |
| |
Joris-Karl Huysmans |
| |
Two Symbolists |
| |
Charles Baudelaire |
| |
Walter Pater |
| |
The Goncourts |
| |
Coventry Patmore |
| |
Sarojini Naidu |
| |
Welsh Poetry |
|
Arthur Symons |
| FHBX001 |
First and Last
| |
On Weighing Anchor |
| |
The Reveillon |
| |
On Cheeses |
| |
The Captain of Industry |
| |
The Inventor |
| |
The Views of England |
| |
The Lunatic |
| |
The Inheritance of Humour |
| |
The Old Gentleman's Opinions |
| |
On Historical Evidence |
| |
The Absence of the Past |
| |
St. Patrick |
| |
The Lost Things |
| |
On the Reading of History |
| |
The Victory |
| |
Reality |
| |
On the Decline of the Book |
| |
José Maria de Heredia |
| |
Normandy and the Normans |
| |
The Old Things |
| |
The Battle of Hastings |
| |
The Roman Roads in Picardy |
| |
The Reward of Letters |
| |
The Eye-Openers |
| |
The Public |
| |
On Entries |
| |
Companions of Travel |
| |
On the Sources of Rivers |
| |
On Error |
| |
The Great Sight |
| |
The Decline of a State |
| |
On Past Greatness |
| |
Mr. The Duke: The Man of Malplaquet |
| |
The Game of Cards |
| |
"King Lear" |
| |
The Excursion |
| |
The Tide |
| |
On a Great Wind |
| |
The Letter |
| |
The Regret |
| |
The End Of The World |
|
Hilaire Belloc |
| ETLP007 |
The Four Ages of Poetry
|
Thomas Love Peacock |
| IWBY004 |
Four Years
|
William Butler Yeats |
| AJRL004 |
The Function of the Poet & Other Essays
| |
The Function of the Poet |
| |
The Five Indispensable Authors |
| |
The Imagination |
| |
Critical Fragments |
| |
Henry James - James's Tales and Sketches |
| |
Longfellow - The Courtship of Miles Standish |
| |
Longfellow - Tales of A Wayside Inn |
| |
Whittier - in War Time, and Other Poems |
| |
Whittier - Home Ballads and Poems |
| |
Whittier - Snow-bound: A Winter Idyl |
| |
Poetry and Nationality |
| |
W.D. Howells - Venetian Life |
| |
Edgar A. Poe |
| |
Thackeray - Roundabout Papers |
| |
Swift |
| |
Plutarch's Morals |
| |
A Plea for Freedom From Speech and Figures of Speech-makers |
|
James Russell Lowell |
| EEDG002 |
Gossip In a Library
| |
Camden's "Britannia" |
| |
A Mirror for Magistrates |
| |
A Poet in Prison |
| |
Death's Duel |
| |
Gerard's Herbal |
| |
Pharamond |
| |
A Volume of Old Plays |
| |
A Censor of Poets |
| |
The Romance of A Dictionary |
| |
Lady Winchilsea's Poems |
| |
Amasia |
| |
Love and Business |
| |
What Ann Lang Read |
| |
Cats |
| |
Smart's Poems |
| |
Pompey the Little |
| |
The Life of John Buncle |
| |
Beau Nash |
| |
The Natural History of Selborne |
| |
The Diary of A Lover of Literature |
| |
Peter Bell and His Tormentors |
| |
The Fancy |
| |
Ultra-Crepidarius |
| |
The Duke of Rutland's Poems |
| |
Ionica |
| |
The Shaving of Shagpat |
|
Edmund Gosse |
| EMHH001 |
In a Green Shade
| |
Change and the Peasantry |
| |
A Hermitage in Sight |
| |
Dorian Modes |
| |
Church and the Man |
| |
Bessy Moore |
| |
The Maids |
| |
Poetry and the Mode |
| |
Polyolbion |
| |
The Welter |
| |
Catnachery |
| |
Landnama |
| |
"Works and Days" |
| |
The English Hesiod |
| |
Flower of the Field |
| |
Under the Harvest Moon |
| |
La Petite Personne |
| |
A Fool of Quality |
| |
Sheridan As Maniac |
| |
A Footnote to Coleridge |
| |
The Crystal Vase |
| |
Noctes Ambrosianæ |
| |
Skeletons At A Feast |
| |
A Commentary Upon Butler |
| |
The Commemoration |
| |
The Quaker Eirenicon |
|
Maurice Hewlett |
| AHJX019 |
Hawthorne
|
Henry James |
| AHMX014 |
Hawthorne and His Mosses
|
Herman Melville |
| EATM003 |
Hearts of Controversy
| |
Some Thoughts of A Reader of Tennyson |
| |
Dickens As A Man of Letters |
| |
Swinburne's Lyrical Poetry |
| |
Charlotte and Emily Bronte |
| |
Charmian |
| |
The Century of Moderation |
|
Alice Meynell |
| AWDH004 |
Henry James Jr.
|
William Dean Howells |
| EGKC009 |
Heretics
|
G. K. Chesterton |
| EHAG002 |
A History of Chinese Literature
|
Herbert Allen Giles |
| EVLX003 |
Hortus Vitae: Essays on the Gardening of Life
| |
The Garden of Life - Introductory |
| |
In Praise of Governesses |
| |
On Going to the Play |
| |
Reading Books |
| |
Hearing Music |
| |
Receiving Letters |
| |
New Friends and Old |
| |
Other Friendships |
| |
A Hotel Sitting-room |
| |
In Praise of Courtship |
| |
Knowing One's Mind |
| |
Against Talking |
| |
In Praise of Silence |
| |
The Blame of Portraits |
| |
Sere and Yellow |
| |
A Stage Jewel |
| |
My Bicycle and I |
| |
Puzzles of the Past |
| |
Making Presents |
| |
Going Away |
| |
Coming Back |
| |
Losing One's Train |
| |
The Hanging Gardens |
|
Vernon Lee * |
| AJLX026 |
The Human Drift
| |
The Human Drift |
| |
The Joy of Small-Boat Sailing |
| |
Four Horses and a Sailor |
| |
That Dead Men Rise Up Never |
| |
A Classic Of The Sea |
| |
A Wicked Woman |
| |
The Birth Mark Sketch |
|
Jack London |
| RGVP003 |
Ibsen, Petty Bourgeois Revolutionist
|
Georgi Plekhanov |
| EAAM005 |
If I May
| |
The Case for the Artist |
| |
A London Garden |
| |
The Game of Kings |
| |
Fixtures and Fittings |
| |
Experts |
| |
The Robinson Tradition |
| |
Getting Things Done |
| |
Christmas Games |
| |
The Mathematical Mind |
| |
Going Out to Dinner |
| |
The Etiquette of Escape |
| |
Geographical Research |
| |
Children's Plays |
| |
The Road to Knowledge |
| |
A Man of Property |
| |
An Ordnance Map |
| |
The Lord Mayor |
| |
The Holiday Problem |
| |
The Burlington Arcade |
| |
State Lotteries |
| |
The Record Lie |
| |
Wedding Bells |
| |
Public Opinion |
| |
The Honour of Your Country |
| |
A Village Celebration |
| |
A Train of Thought |
| |
Melodrama |
| |
A Lost Masterpiece |
| |
A Hint for Next Christmas |
| |
The Future |
| |
The Largest Circulation |
| |
The Watson Touch |
| |
Some Old Companions |
| |
A Haunted House |
| |
Round the World and Back |
| |
The State of the Theatre |
| |
The Fires of Autumn |
| |
Not Guilty |
| |
A Digression |
| |
High Finance |
| |
Secret Papers |
|
A. A. Milne |
| EHHE003 |
Impressions and Comments
|
Havelock Ellis |
| FAEF002 |
Initiation Into Literature
|
Emile Faguet |
| EGOX013 |
Inside the Whale
|
George Orwell * |
| IOWX023 |
Intentions
| |
The Decay of Lying |
| |
Pen, Pencil and Poison |
| |
The Critic As Artist |
| |
The Truth of Masks - A Note on Illusion |
|
Oscar Wilde * |
| EAWS004 |
An Introduction to the Study of Browning
|
Arthur Symons |
| EGOX019 |
James Burnham and the Managerial Revolution
|
George Orwell * |
| EDHL036 |
John Galsworthy
|
D. H. Lawrence |
| EABZ025 |
Journalism for Women
|
Arnold Bennett |
| ELGS003 |
Landmarks in French Literature
|
Lytton Strachey |
| AJBS008 |
The Last Harvest
| |
Emerson and His Journals |
| |
Flies in Amber |
| |
Another Word on Thoreau |
| |
A Critical Glance Into Darwin |
| |
What Makes A Poem? |
| |
The Transient and the Permanent |
| |
Positive and Negative |
| |
Palm and Fist |
| |
Praise and Flattery |
| |
Genius and Talent |
| |
Invention and Discovery |
| |
Town and Country |
| |
Day by Day |
| |
Gleanings |
| |
Re-reading Bergson |
| |
Revisions |
| |
Bergson and Telepathy |
| |
Meteoric Men and Planetary Men |
| |
The Daily Papers |
| |
The Alphabet |
| |
The Reds of Literature |
| |
The Evolution of Evolution |
| |
Following One's Bent |
| |
Notes on the Psychology of Old Age |
| |
Facing the Mystery |
|
John Burroughs |
| EGOX031 |
Later Essays
| |
Freedom of the Park |
| |
Future of A Ruined Germany |
| |
Good Bad Books |
| |
Nonsense Poetry |
| |
Revenge is Sour |
| |
The Sporting Spirit |
| |
You and the Atomic Bomb |
| |
A Good Word for the Vicar of Bray |
| |
A Nice Cup of Tea |
| |
Books Vs. Cigarettes |
| |
Confessions of A Book Reviewer |
| |
Decline of the English Murder |
| |
How the Poor Die |
| |
Pleasure Spots |
| |
Riding Down From Bangor |
| |
Some Thoughts on the Common Toad |
| |
Why I Write |
|
George Orwell * |
| ETCX009 |
Latter-Day Pamphlets
| |
The Present Time |
| |
Model Prisons |
| |
Downing Street |
| |
The New Downing Street |
| |
Stump-Orator |
|
Thomas Carlyle |
| FHLB001 |
Laughter: An Essay on the Meaning of the Comic
|
Henri Bergson |
| ETBM001 |
Lays of Ancient Rome
|
Thomas Babington Macaulay |
| EGOX024 |
Lear, Tolstoy and the Fool
|
George Orwell * |
| EALX015 |
Letters on Literature
| |
Of Modern English Poetry |
| |
Fielding |
| |
Longfellow |
| |
A Friend of Keats |
| |
On Virgil |
| |
Aucassin and Nicolette |
| |
Plotinus |
| |
Lucretius |
| |
To A Young American Book-hunter |
| |
Rochefoucauld |
| |
Of Vers De Societe |
| |
On Vers De Societe |
| |
Gerard De Nerval |
| |
On Books About Red Men |
|
Andrew Lang |
| ETCX010 |
The Life of Schiller
|
Thomas Carlyle |
| RLBK003 |
The Literary Legacy and Collected Works of Ilyitch
|
Lev Kamenev |
| EABZ005 |
Literary Taste
|
Arnold Bennett |
| AIBB001 |
Literature and the American College
| |
What Is Humanism? |
| |
Two Types of Humanitarians - Bacon and Rousseau |
| |
The College and the Democratic Spirit |
| |
Literature and the College |
| |
Literature and the Doctor's Degree |
| |
The Rational Study of the Classics |
| |
Ancients and Moderns |
| |
On Being Original |
| |
Academic Leisure |
|
Irving Babbitt |
| ESJX003 |
Lives of the Poets - Volume 1
|
Samuel Johnson |
| ESJX010 |
Lives of the Poets - Volume 2
|
Samuel Johnson |
| EALX019 |
Lost Leaders
| |
Scotch Rivers |
| |
Salmon-Fishing |
| |
Winter Sports |
| |
Human Levitation |
| |
A Chinaman's Marriage |
| |
Sieur De Montaigne |
| |
Thackeray's Drawings |
| |
Golf |
| |
Art of Dining |
| |
American Humour |
| |
Suspended Animation |
| |
Breaking up |
| |
On Shaving |
| |
Street Noises |
| |
Lending of Books |
| |
Club Bores |
| |
Phiz |
| |
Theory and Practice of Proposals |
| |
Master Samuel Pepys |
| |
Involuntary Bailees |
| |
Summer Nights |
| |
On Hypochondriacs |
| |
Thackeray's London |
| |
Torrid Summer |
| |
Western Drolls |
| |
Show Sunday |
| |
The Dry Fly |
| |
Amateur Authors |
| |
Some Rare Things for Sale |
| |
Curiosity Hunting |
|
Andrew Lang |
| AEUF003 |
The Love Affairs of a Bibliomaniac
|
Eugene Field |
| EJDW002 |
The Lyric - An Essay
|
John Drinkwater |
| EGES002 |
Matthew Arnold
|
George Saintsbury |
| EAWS003 |
A Memoir of Ernest Dowson
|
Arthur Symons |
| ERLS018 |
Memories and Portraits
| |
The Foreigner At Home |
| |
Some College Memories |
| |
Old Mortality |
| |
A College Magazine |
| |
An Old Scotch Gardener |
| |
Pastoral |
| |
The Manse |
| |
Memoirs of An Islet |
| |
Thomas Stevenson - Civil Engineer |
| |
Talk and Talkers- Part 1 |
| |
Talk and Talkers- Part 2 |
| |
The Character of Dogs |
| |
A Penny Plain and Twopence Coloured |
| |
A Gossip on A Novel of Dumas's |
| |
A Gossip on Romance |
| |
A Humble Remonstrance |
|
Robert Louis Stevenson |
| AWJX010 |
Memories and Studies
| |
Louis Agassiz |
| |
Address at the Emerson Centenary in Concord |
| |
Robert Gould Shaw |
| |
Francis Boott |
| |
Thomas Davidson: a Knight-errant of the Intellectual Life |
| |
Herbert Spencer's Autobiography |
| |
Frederic Myers' Services to Psychology |
| |
Final Impressions of a Psychical Researcher |
| |
On Some Mental Effects of the Earthquake |
| |
The Energies of Men |
| |
The Moral Equivalent of War |
| |
Remarks at the Peace Banquet |
| |
The Social Value of the College-Bred |
| |
The Ph.D. Octopus |
| |
The True Harvard |
| |
Stanford's Ideal Destiny |
| |
A Pluralistic Mystic |
|
William James |
| EABZ018 |
Mental Efficiency
|
Arnold Bennett |
| ATWW017 |
Mere Literature and Other Essays
| |
"Mere Literature" |
| |
The Author Himself |
| |
On an Author's Choice of Company |
| |
A Literary Politician |
| |
The Interpreter of English Liberty |
| |
A Calendar Of Great Americans |
| |
The Course of American History |
|
Woodrow Wilson |
| ETCX015 |
Metrical Legends of Exalted Characters
|
Thomas Carlyle |
| EGKC014 |
A Miscellany of Men
| |
The Suffragist |
| |
The Poet and the Cheese |
| |
The Thing |
| |
The Man Who Thinks Backwards |
| |
The Nameless Man |
| |
The Gardener and the Guinea |
| |
The Voter and the Two Voices |
| |
The Mad Official |
| |
The Enchanted Man |
| |
The Sun Worshipper |
| |
The Wrong Incendiary |
| |
The Free Man |
| |
The Hypothetical Householder |
| |
The Priest of Spring |
| |
The Real Journalist |
| |
The Sentimental Scot |
| |
The Sectarian of Society |
| |
The Fool |
| |
The Conscript and the Crisis |
| |
The Miser and His Friends |
| |
The Mystagogue |
| |
The Red Reactionary |
| |
The Separatist and Sacred Things |
| |
The Mummer |
| |
The Aristocratic 'Arry |
| |
The New Theologian |
| |
The Romantic in the Rain |
| |
The False Photographer |
| |
The Sultan |
| |
The Architect of Spears |
| |
The Man on Top |
| |
The Other Kind of Man |
| |
The Mediaeval Villain |
| |
The Divine Detective |
| |
The Elf of Japan |
| |
The Chartered Libertine |
| |
The Contented Man |
| |
The Angry Author: His Farewell |
|
G. K. Chesterton |
| ERBM003 |
Monologues
| |
The Decay of the Essay |
| |
The Tyranny Of the Ugly |
| |
The True Bohemia |
| |
Dreaming as an Art |
| |
On Facts |
| |
On Knowing London |
| |
The Poet and the People |
| |
Pensions for Poets |
| |
How to Be a Poet |
| |
Traitors of Art |
| |
Suicide and the State |
| |
The Age of Disenchantment |
| |
On Dreams |
| |
New Year's Eve |
| |
Why Women Fail in Art |
| |
An Election-tide Dream |
| |
The New Sex |
| |
On Editors |
| |
The Revolt of the Philistines |
| |
The Virtues of Getting Drunk |
| |
The Verdict of Posterity |
| |
Is England Decadent? |
| |
Uncomfortable Spring |
| |
The Philosophy of Gambling |
| |
The Poet Who Was |
| |
The Gift of Appreciation |
| |
Poets and Critics |
| |
Montjoie |
| |
A Summer Holiday |
| |
Commercial Literature |
| |
A Monologue on Love-Songs |
| |
Conversational Misers |
|
Richard Middleton |
| EHGW042 |
Mr. Belloc Objects to 'The Outline of History'
|
H. G. Wells |
| AWDH025 |
My Literary Passions
| |
The Bookcase at Home |
| |
Goldsmith |
| |
Cervantes |
| |
Irving |
| |
First Fiction and Drama |
| |
Longfellow's "Spanish Student" |
| |
Scott |
| |
Lighter Fancies |
| |
Pope |
| |
Various Preferences |
| |
Uncle Tom's Cabin |
| |
Ossian |
| |
Shakespeare |
| |
Ik Marvel |
| |
Dickens |
| |
Wordsworth, Lowell, Chaucer |
| |
Macaulay |
| |
Critics and Reviews |
| |
A Non-literary Episode |
| |
Thackeray |
| |
"Lazarillo De Tormes" |
| |
Curtis, Longfellow, Schlegel |
| |
Tennyson |
| |
Heine |
| |
De Quincey, Goethe, Longfellow |
| |
George Eliot, Hawthorne, Goethe, Heine |
| |
Charles Reade |
| |
Dante |
| |
Goldoni, Manzoni, D'azeglio |
| |
"Pastor Fido," "Aminta," "Romola," "Yeast," "Paul Ferroll" |
| |
Erckmann-Chatrian, Bjorstjerne Bjornson |
| |
Tourguenief, Auerbach |
| |
Certain Preferences and Experiences |
| |
Valdes, Galdos, Verga, Zola, Trollope, Hardy |
| |
Tolstoy |
|
William Dean Howells |
| ETDQ006 |
Narrative & Miscellaneous Papers
| |
The Household Wreck |
| |
The Spanish Nun |
| |
Flight of a Tartar Tribe |
| |
System of the Heavens as Revealed by Lord Rosse's Telescopes |
| |
Modern Superstition |
| |
Coleridge and Opium-Eating |
| |
Temperance Movement |
| |
On War |
| |
The Last Days of Immanuel Kant |
|
Thomas De Quincey |
| EALX014 |
New & Old Letters to Dead Authors
| |
To W. M. Thackeray |
| |
To Charles Dickens |
| |
To Pierre de Ronsard |
| |
To Herodotus |
| |
Epistle to Mr. Alexander Pope |
| |
To Lucian of Samosata |
| |
To Maitre Francoys Rabelais |
| |
To Jane Austen |
| |
To Master Isaak Walton |
| |
To M. Chapelain |
| |
To Sir John Maundeville, Kt. |
| |
To Alexandre Dumas |
| |
To Theocritus |
| |
To Edgar Allan Poe |
| |
To Sir Walter Scott, Bart. |
| |
To Eusebius of Caesarea |
| |
To Percy Bysshe Shelley |
| |
To Monsieur de Moliere, Valet de Chambre du Roi |
| |
To Robert Burns |
| |
To Lord Byron |
| |
To Omar Khayyam |
| |
To Q. Horatius Flaccus |
| |
To Master Geoffrey Chaucer |
| |
To James Anthony Froude, Esq. |
| |
To Horace Walpole, Earl of Oxford |
| |
To the Rev. Master John Barbour, Sometime Archdeacon of Aberdeen |
| |
To Mr. Samuel Richardson |
| |
To Henry Fielding |
| |
To Martin Farquhar Tapper, Esq. |
|
Andrew Lang |
| AIBB002 |
The New Laokoon
|
Irving Babbitt |
| EAAM003 |
Not That It Matters
| |
The Pleasure of Writing |
| |
Acacia Road |
| |
My Library |
| |
The Chase |
| |
Superstition |
| |
The Charm of Golf |
| |
Goldfish |
| |
Saturday to Monday |
| |
The Pond |
| |
A Seventeenth-Century Story |
| |
Our Learned Friends |
| |
A Word for Autumn |
| |
A Christmas Number |
| |
No Flowers by Request |
| |
The Unfairness of Things |
| |
Daffodils |
| |
A Household Book |
| |
Lunch |
| |
The Friend of Man |
| |
The Diary Habit |
| |
Midsummer Day |
| |
At the Bookstall |
| |
"Who's Who" |
| |
A Day at Lord's |
| |
By the Sea |
| |
Golden Fruit |
| |
Signs of Character |
| |
Intellectual Snobbery |
| |
A Question of Form |
| |
A Slice of Fiction |
| |
The Label |
| |
The Profession |
| |
Smoking as a Fine Art |
| |
The Path to Glory |
| |
A Problem in Ethics |
| |
The Happiest Half-Hours of Life |
| |
Natural Science |
| |
A Doubtful Character |
| |
Thoughts on Thermometers |
| |
For a Wet Afternoon |
| |
Declined with Thanks |
| |
On Going into a House |
| |
The Ideal Author |
|
A. A. Milne |
| AWSC013 |
Not Under Forty
| |
A Chance Meeting |
| |
The Novel Démeublé |
| |
148 Charles Street |
| |
Miss Jewett |
| |
"Joseph and His Brothers" |
| |
Katherine Mansfield |
|
Willa Cather |
| ETDQ004 |
The Note Book of An English Opium-Eater
| |
Three Memorable Murders |
| |
The True Relations of the Bible to Merely Human Science |
| |
Schlosser's Literary History of the Eighteenth Century |
| |
The Antigone of Sophocles, As Represented on the Edinburgh Stage |
| |
The Marquess Wellesley |
| |
Milton Versus Southey and Landor |
| |
Falsification of English History |
| |
A Peripatetic Philosopher |
| |
On Suicide |
| |
Superficial Knowledge |
| |
English Dictionaries |
| |
Dryden's Hexastitch |
| |
Pope's Retort Upon Addison |
|
Thomas De Quincey |
| EJCX033 |
Notes On My Books
| |
Almayer's Folly |
| |
An Outcast of the Islands |
| |
Nigger of the 'Narcissus' |
| |
Tales of Unrest |
| |
Lord Jim |
| |
Youth |
| |
Typhoon |
| |
Nostromo |
| |
Mirror of the Sea |
| |
The Secret Agent |
| |
A Set of Six |
| |
Under Western Eyes |
| |
A Personal Record |
| |
A Familiar Preface |
| |
Twixt Land and Sea |
| |
Chance |
| |
Within the Tides |
| |
Note to the First Edition |
| |
Victory |
| |
The Shadow-line |
| |
Arrow of Gold |
| |
The Rescue |
| |
Notes on Life and Letters |
|
Joseph Conrad * |
| EHMT002 |
Old Junk
| |
The African Coast |
| |
The Call |
| |
Old Junk |
| |
Bed-Books and Night-Lights |
| |
Transfiguration |
| |
The Pit Mouth |
| |
Initiation |
| |
The Art of Writing |
| |
A First Impression |
| |
The Derelict |
| |
The Voyage of the Mona |
| |
The Lascar's Walking-Stick |
| |
The Extra Hand |
| |
The Sou'-Wester |
| |
On Leave |
| |
The Dunes |
| |
Binding a Spell |
| |
A Division on the March |
| |
Holly-Ho! |
| |
The Ruins |
| |
Lent, 1918 |
|
H. M. Tomlinson |
| ESTC006 |
Omniana
| |
The French Decade |
| |
Ride and Tie |
| |
Jeremy Taylor |
| |
Criticism |
| |
Public Instruction |
| |
Picturesque Words |
| |
Toleration |
| |
War |
| |
Parodies |
| |
M. Dupuis |
| |
Origin of the Worship of Hymen |
| |
Egotism |
| |
Cap of Liberty |
| |
Bulls |
| |
Wise Ignorance |
| |
Rouge |
| |
Hasty Words |
| |
Motives and Impulses |
| |
Inward Blindness |
| |
The Vices of Slaves No Excuse for Slavery |
| |
Circulation of the Blood |
| |
Periturae Parcere Chartae |
| |
To Have and to Be |
| |
Party Passion |
| |
Goodness of Heart Indispensable to A Man of Genius |
| |
Milton and Ben Jonson |
| |
Statistics |
| |
Magnanimity |
| |
Negros and Narcissuses |
| |
An Anecdote |
| |
The Pharos At Alexandria |
| |
Sense and Common Sense |
| |
Toleration - 2 |
| |
Hint for A New Species of History |
| |
Text Sparring |
| |
Pelagianism |
| |
The Soul and its Organs of Sense |
| |
Sir George Etherege, Etc |
| |
Evidence |
| |
Force of Habit |
| |
Phoenix |
| |
Memory and Recollection |
| |
Brevity of the Greek and English Compared |
| |
The Will and the Deed |
| |
The Will for the Deed |
| |
Sincerity |
| |
Truth and Falsehood |
| |
Religious Ceremonies |
| |
Association |
| |
Curiosity |
| |
New Truths |
| |
Vicious Pleasures |
| |
Meriting Heaven |
| |
Dust to Dust |
| |
Human Countenance |
| |
Lie Useful to Truth |
| |
Science in Roman Catholic States |
| |
Voluntary Belief |
| |
Amanda |
| |
Hymen's Torch |
| |
Youth and Age |
| |
December Morning |
| |
Archbishop Leighton |
| |
Christian Honesty |
| |
Inscription on A Clock in Cheapside |
| |
Rationalism is Not Reason |
| |
Inconsistency |
| |
Hope in Humanity |
| |
Self-love in Religion |
| |
Limitation of Love of Poetry |
| |
Humility of the Amiable |
| |
Temper in Argument |
| |
Patriarchal Government |
| |
Callous Self-conceit |
| |
A Librarian |
| |
Trimming |
| |
Death |
| |
Love An Act of the Will |
| |
Wedded Union |
| |
Difference Between Hobbes and Spinosa |
| |
The End May Justify the Means |
| |
Negative Thought |
| |
Man's Return to Heaven |
| |
Young Prodigies |
| |
Welch Names |
| |
German Language |
| |
The Universe |
| |
Harberous |
| |
An Admonition |
| |
To Thee Cherubim and Seraphim Continually Do Cry |
| |
Definition of Miracle |
| |
Death, and Grounds of Belief in A Future State |
| |
Hatred of Injustice |
| |
Religion |
| |
The Apostles' Creed |
| |
A Good Heart |
| |
Evidences of Christianity |
| |
Confessio Fidei |
|
Samuel Taylor Coleridge |
| EAHX004 |
On The Margin
| |
Centenaries |
| |
On Re-reading "Candide" |
| |
Accidie |
| |
Subject-Matter of Poetry |
| |
Water Music |
| |
Pleasures |
| |
Modern Folk Poetry |
| |
Bibliophily |
| |
Democratic Art |
| |
Accumulations |
| |
On Deviating into Sense |
| |
Polite Conversation |
| |
Nationality in Love |
| |
How the Days Draw In! |
| |
Tibet |
| |
Beauty in 1920 |
| |
Great Thoughts |
| |
Advertisement |
| |
Euphues Redivivus |
| |
The Author of "Eminent Victorians" |
| |
Edward Thomas |
| |
A Wordsworth Anthology |
| |
Verhaeren |
| |
Edward Lear |
| |
Sir Christopher Wren |
| |
Ben Jonson |
| |
Chaucer |
|
Aldous Huxley |
| ANHX011 |
Passages From The American Note-Books
|
Nathaniel Hawthorne |
| ACSD004 |
A Persian Pearl and Other Essays
| |
A Persian Pearl |
| |
Walt Whitman |
| |
Robert Burns |
| |
Realism in Literature and Art |
| |
The Skeleton in the Closet |
|
Clarence Darrow |
| EAWS001 |
Plays, Acting and Music
| |
An Apology for Puppets |
| |
Nietzsche on Tragedy |
| |
Sarah Bernhardt |
| |
Coquelin and Molière: Some Aspects |
| |
Réjane |
| |
Yvette Guilbert |
| |
Sir Henry Irving |
| |
Duse in Some of Her Parts |
| |
Annotations by the Way |
| |
M. Capus in England |
| |
A Double Enigma |
| |
Professional and Unprofessional |
| |
Tolstoi and Others |
| |
Some Problem Plays |
| |
"Monna, Vanna" |
| |
The Question of Censorship |
| |
A Play and the Public |
| |
The Test of the Actor |
| |
The Price of Realism |
| |
On Crossing Stage to Right |
| |
The Speaking of Verse |
| |
Great Acting in English |
| |
A Theory of the Stage |
| |
The Sicilian Actors |
| |
On Writing About Music |
| |
Technique and the Artist |
| |
Pachmann and the Piano |
| |
Paderewski |
| |
A Reflection At A Dolmetsch Concert |
| |
The Dramatisation of Song |
| |
The Meiningen Orchestra |
| |
Mozart in the Mirabell-Garten |
| |
Notes on Wagner At Bayreuth |
| |
A Paradox on Art |
|
Arthur Symons |
| EAQC007 |
Poetry
|
Arthur Quiller-Couch |
| FERV006 |
The Poetry of the Celtic Races
|
Ernest Renan |
| EGOX021 |
Politics v. Literature: An Examination of Gulliver's Travels
|
George Orwell * |
| ESJX004 |
Preface to Shakespeare
|
Samuel Johnson |
| EGOX022 |
The Prevention of Literature
|
George Orwell * |
| EGHL001 |
The Principles of Success in Literature
|
George Henry Lewes |
| EGOX028 |
Raffles and Miss Blandish
|
George Orwell * |
| AJDX021 |
Rationality in Education
|
John Dewey |
| EWSJ002 |
Review of Edgeworth's Mathematical Psychics
|
William Stanley Jevons |
| AJLX033 |
Revolution & Other Essays
| |
Revolution |
| |
The Somnambulists |
| |
The Dignity of Dollars |
| |
Goliah |
| |
The Golden Poppy |
| |
The Shrinkage of the Planet |
| |
The House Beautiful |
| |
The Gold Hunters of the North |
| |
Foma Gordyeeff |
| |
These Bones Shall Rise Again |
| |
The Other Animals |
| |
The Yellow Peril |
| |
What Life Means to Me |
|
Jack London |
| EATM004 |
The Rhythm of Life & Other Essays
| |
The Rhythm of Life |
| |
Decivilised |
| |
A Remembrance |
| |
The Sun |
| |
The Flower |
| |
Unstable Equilibrium |
| |
The Unit of the World |
| |
By the Railway Side |
| |
Pocket Vocabularies |
| |
Pathos |
| |
The Point of Honour |
| |
Composure |
| |
Dr. Oliver Wendell Holmes |
| |
James Russell Lowell |
| |
Domus Angusta |
| |
Rejection |
| |
The Lesson of Landscape |
| |
Mr. Coventry Patmore's Odes |
| |
Innocence and Experience |
| |
Penultimate Caricature |
|
Alice Meynell |
| EGKC030 |
Robert Browning
|
G. K. Chesterton |
| ILHX006 |
The Romance of the Milky Way & Other Studies & Stories
| |
The Romance of the Milky Way |
| |
Goblin Poetry |
| |
"Ultimate Questions" |
| |
The Mirror Maiden |
| |
The Story of Ito Norisuké |
| |
Stranger Than Fiction |
| |
A Letter From Japan |
|
Lafcadio Hearn |
| GHHX011 |
The Romantic School
|
Heinrich Heine |
| EVWX008 |
A Room of One's Own
|
Virginia Woolf |
| AJDP003 |
Rosinante to the Road Again
|
John Dos Passos |
| EWMT016 |
Roundabout Papers
| |
On A Lazy Idle Boy |
| |
On Two Children in Black |
| |
On Ribbons |
| |
On Some Late Great Victories |
| |
Thorns in the Cushion |
| |
On Screens in Dining-rooms |
| |
Tunbridge Toys |
| |
De Juventute |
| |
On A Joke I Once Heard From the Late Thomas Hood |
| |
Round About the Christmas Tree |
| |
On A Chalk-mark on the Door |
| |
On Being Found Out |
| |
On A Hundred Years Hence |
| |
Small-beer Chronicle |
| |
Ogres |
| |
On Two Roundabout Papers Which I Intended to Write |
| |
A Mississippi Bubble |
| |
On Letts's Diary |
| |
Notes of A Week's Holiday |
| |
Nil Nisi Bonum |
| |
On Half A Loaf |
| |
The Notch on the Axe |
| |
De Finibus |
| |
On A Peal of Bells |
| |
On A Pear-tree |
| |
Dessein's |
| |
On Some Carp At Sans Souci |
| |
Autour De Mon Chapeau |
| |
On Alexandrines |
| |
On A Medal of George the Fourth |
| |
"Strange to Say, on Club Paper." |
| |
The Last Sketch |
|
William Makepeace Thackeray |
| EGOX023 |
Rudyard Kipling
|
George Orwell * |
| EWDM007 |
Rupert Brooke and the Intellectual Imagination
|
Walter De la Mare |
| EJDX001 |
Discourses on Satire and on Epic Poetry
| |
A Discourse on Epic Poetry |
| |
A Discourse on the Original and Progress of Satire |
|
John Dryden |
| EVWX013 |
Selected Essays
| |
The Common Reader |
| |
"Jane Eyre" and "Wuthering Heights" |
| |
The Patron and the Crocus |
| |
The Modern Essay |
| |
The Death of the Moth |
| |
Evening Over Sussex: Reflections in A Motor Car |
| |
Three Pictures |
| |
Old Mrs. Grey |
| |
Street Haunting: A London Adventure |
| |
Jones and Wilkinson |
| |
"Twelfth Night" At the Old Vic |
| |
Madame De Sévigné |
| |
The Humane Art |
| |
Two Antiquaries: Walpole and Cole |
| |
The Rev William Cole |
| |
The Historian and "The Gibbon" |
| |
Reflections At Sheffield Place |
| |
The Man At the Gate |
| |
Sara Coleridge |
| |
"Not One of Us" |
| |
Henry James - Within the Rim |
| |
Henry James - the Old Order |
| |
Henry James - the Letters of Henry James |
| |
George Moore |
| |
The Novels of E. M. Forster |
| |
Middlebrow |
| |
The Art of Biography |
| |
Craftsmanship |
| |
A Letter to A Young Poet |
| |
Why? |
| |
Professions for Women |
| |
Thoughts on Peace in An Air Raid |
|
Virginia Woolf |
| AWSC019 |
Selected Reviews and Essays
| |
Mark Twain |
| |
William Dean Howells |
| |
Edgar Allan Poe |
| |
Walt Whitman |
| |
Henry James |
| |
Harold Frederic |
| |
Kate Chopin |
| |
Stephen Crane |
| |
Frank Norris |
| |
When I Knew Stephen Crane |
| |
On the Art of Fiction |
|
Willa Cather |
| EJRK003 |
Sesame and Lilies
| |
Lecture 1 - Sesame - Of King's Treasuries |
| |
Lecture 2 - Lilies - Of Queen's Gardens |
| |
Lecture 3 - The Mystery of Life and Its Arts |
|
John Ruskin |
| GJWG007 |
Shakespeare and Again Shakespeare
|
Johan Wolfgang Goethe |
| ACDM002 |
Shandygaff
| |
A Question of Plumage |
| |
Don Marquis |
| |
The Art of Walking |
| |
Rupert Brooke |
| |
The Man |
| |
The Head of the Firm |
| |
17 Heriot Row |
| |
Frank Confessions of A Publisher's Reader |
| |
William McFee |
| |
Rhubarb |
| |
The Haunting Beauty of Strychnine |
| |
Ingo |
| |
Housebroken |
| |
The Hilarity of Hilaire |
| |
A Casual of the Sea |
| |
The Last Pipe |
| |
Time to Light the Furnace |
| |
My Friend |
| |
A Poet of Sad Vigils |
| |
Trivia |
| |
Prefaces |
| |
The Skipper |
| |
A Friend of Fitzgerald |
| |
A Venture in Mysticism |
| |
An Oxford Landlady |
| |
"Peacock Pie" |
| |
The Literary Pawnshop |
| |
A Morning in Marathon |
| |
The American House of Lords |
| |
Cotswold Winds |
| |
Clouds |
| |
Unhealthy |
| |
Confessions of A Smoker |
| |
Hay Febrifuge |
|
Christopher Morley |
| EFTH003 |
Shelley: An Essay
|
Francis Thompson |
| ECBX005 |
Short Pieces
| |
Biographical Notice Of Ellis And Acton Bell |
| |
Editor's Preface To The New Edition Of Wuthering Heights' |
| |
Napoleon and the Spectre |
|
Charlotte Bronte |
| IOWX018 |
Shorter Prose and Essays
| |
Phrases and Philosophies for the Use of the Young |
| |
Mrs. Langtry As Hester Grazebrook |
| |
Slaves of Fashion |
| |
Woman's Dress |
| |
More Radical Ideas Upon Dress Reform |
| |
Mr. Whistler's Ten O'clock |
| |
The Relation of Dress to Art: A Note in Black and White on Mr. Whistler's Lecture |
| |
Costume |
| |
Keats's Sonnet on Blue |
| |
The American Invasion |
| |
The Unity of the Arts: A Lecture and A Five O'clock |
| |
Sermons in Stones At Bloomsbury the New Sculpture Room At the British Museum |
| |
Art At Willis's Rooms |
| |
Mr. Morris on Tapestry |
| |
Sculpture At the Arts and Crafts |
| |
Printing and Printers |
| |
The Beauties of Bookbinding |
| |
The Close of the Arts and Crafts |
| |
English Poetesses |
| |
London Models |
| |
The English Renaissance of Art |
| |
House Decoration |
| |
Art and the Handicraftsman |
| |
Lecture to Art Students |
| |
L'Envoi |
|
Oscar Wilde * |
| EACB006 |
The Silent Isle
|
A. C. Benson |
| EGES001 |
Sir Walter Scott
|
George Saintsbury |
| ETCX008 |
On Sir Walter Scott
|
Thomas Carlyle |
| EJPN001 |
Some Private Views
| |
The Midway Inn |
| |
The Critic on the Hearth |
| |
Sham Admiration in Literature |
| |
The Pinch of Poverty |
| |
The Literary Calling and its Future |
| |
Story-Telling |
| |
Penny Fiction |
| |
Hotels |
| |
Maid-Servants |
| |
Men-Servants |
| |
Whist-Players |
| |
Relations |
| |
Invalid Literature |
| |
Wet Holidays |
| |
Travelling Companions |
|
James Payn |
| FHBX003 |
On Something
| |
A Plea for the Simpler Drama |
| |
On A Notebook |
| |
On Unknown People |
| |
On A Van Tromp |
| |
His Character |
| |
On Thruppenny Bits |
| |
On the Hotel At Palma and A Proposed Guide-book |
| |
The Death of Wandering Peter |
| |
The Tree of Knowledge |
| |
A Norfolk Man |
| |
The Odd People |
| |
Letter of Advice and Apology to A Young Burglar |
| |
The Monkey Question: An Appeal to Common Sense |
| |
The Empire Builder |
| |
Caedwalla |
| |
A Unit of England |
| |
The Relic |
| |
The Ironmonger |
| |
A Force in Gaul |
| |
On Bridges |
| |
A Blue Book |
| |
Perigeux of the Perigord |
| |
The Position |
| |
Home |
| |
The Way to Fairyland |
| |
The Portrait of A Child |
| |
On Experience |
| |
On Immortality |
| |
On Sacramental Things |
| |
In Patria |
|
Hilaire Belloc |
| EATM005 |
The Spirit of Place and Other Essays
| |
The Spirit of Place |
| |
Mrs. Dingley |
| |
Solitude |
| |
The Lady of the Lyrics |
| |
July |
| |
Wells |
| |
The Foot |
| |
Have Patience, Little Saint |
| |
The Ladies of the Idyll |
| |
A Derivation |
| |
A Counterchange |
| |
Rain |
| |
The Letters of Marceline Valmore |
| |
The Hours of Sleep |
| |
The Horizon |
| |
Habits and Consciousness |
| |
Shadows |
|
Alice Meynell |
| EDHL031 |
Studies in Classical American Literature
|
D. H. Lawrence |
| EMAX002 |
The Study of Celtic Literature
|
Matthew Arnold |
| AGPL003 |
A Study of Hawthorne
|
George Parsons Lathrop |
| ESMX048 |
The Summing Up
|
W. Somerset Maugham |
| AHPL003 |
Supernatural Horror in Literature
|
H. P. Lovecraft |
| IWBY005 |
Synge and the Ireland of His Time
|
William Butler Yeats |
| EWHZ001 |
Table Talk: Essays On Men and Matters
| |
On The Pleasure of Painting |
| |
On The Past and Future |
| |
On Genius and Common Sense |
| |
Character of Cobbett |
| |
On People With One Idea |
| |
On The Ignorance of the Learned |
| |
The Indian Jugglers |
| |
On Living to One's Self |
| |
On Thought and Action |
| |
On Will-Making |
| |
On Certain Inconsistencies in Sir Joshua Reynolds Discourses |
| |
On Paradox and Common-Place |
| |
On Vulgarity and Affectation |
| |
On A Landscape of Nicolas Poussin |
| |
On Milton's Sonnets |
| |
On Going A Journey |
| |
On Coffee-House Politicians |
| |
On The Aristocracy of Letters |
| |
On Criticism |
| |
On Great and Little Things |
| |
On Familiar Style |
| |
On Effeminancy of Character |
| |
Why Distant Objects Please |
| |
On Corporate Bodies |
| |
Whether Actors Ought to Sit in the Boxes? |
| |
On The Disadvantages of Intellectual Superiority |
| |
On Patronage and Puffing |
| |
On The Knowledge of Character |
| |
On The Picturesque and Ideal |
| |
On The Fear of Death |
|
William Hazlitt |
| EATX024 |
Thackeray
|
Anthony Trollope |
| GSFX041 |
The Theme of the Three Caskets
|
Sigmund Freud |
| OMKG001 |
Third Class in Indian Railways
| |
Third Class in Indian Railways |
| |
Vernaculars as Media of Instruction |
| |
Swadeshi |
| |
Ahimsa |
| |
The Moral Basis of Co-operation |
| |
National Dress |
|
Mahatma Gandhi |
| EMAS002 |
The Three Brontes
|
May Sinclair |
| EACD007 |
Through the Magic Door
|
Arthur Conan Doyle |
| EACB007 |
The Training of the Imagination
|
A. C. Benson |
| EGKC023 |
Tremendous Trifles
| |
Tremendous Trifles |
| |
A Piece of Chalk |
| |
The Secret of a Train |
| |
The Perfect Game |
| |
The Extraordinary Cabman |
| |
An Accident |
| |
The Advantages of Having One Leg |
| |
The End of the World |
| |
In the Place de La Bastille |
| |
On Lying in Bed |
| |
The Twelve Men |
| |
The Wind and the Trees |
| |
The Dickensian |
| |
In Topsy-Turvy Land |
| |
What I Found in My Pocket |
| |
The Dragon's Grandmother |
| |
The Red Angel |
| |
The Tower |
| |
How I Met the President |
| |
The Giant |
| |
A Great Man |
| |
The Orthodox Barber |
| |
The Toy Theatre |
| |
A Tragedy of Twopence |
| |
A Cab Ride Across Country |
| |
The Two Noises |
| |
Some Policemen and a Moral |
| |
The Lion |
| |
Humanity: an Interlude |
| |
The Little Birds Who Won't Sing |
| |
The Riddle of the Ivy |
| |
The Travellers in State |
| |
The Prehistoric Railway Station |
| |
The Diabolist |
| |
A Glimpse of My Country |
| |
A Somewhat Improbable Story |
| |
The Shop Of Ghosts |
| |
The Ballade of a Strange Town |
| |
The Mystery of a Pageant |
|
G. K. Chesterton |
| EACB008 |
The Upton Letters
|
A. C. Benson |
| ESMX052 |
The Vagrant Mood
| |
Augustus |
| |
Zurbaran |
| |
The Decline and Fall of the Detective Story |
| |
After Reading Burke |
| |
Reflections on a Certain Book |
| |
Some Novelists I Have Known |
|
W. Somerset Maugham |
| EGKC026 |
Varied Types
| |
Charlotte Brontë |
| |
William Morris and His School |
| |
Optimism of Byron |
| |
Pope and the Art of Satire |
| |
Francis |
| |
Rostand |
| |
Charles II |
| |
Stevenson |
| |
Thomas Carlyle |
| |
Tolstoy and the Cult of Simplicity |
| |
Savonarola |
| |
The Position of Sir Walter Scott |
| |
Bret Harte |
| |
Alfred the Great |
| |
Maeterlinck |
| |
Ruskin |
| |
Queen Victoria |
| |
The German Emperor |
| |
Tennyson |
| |
Elizabeth Barrett Browning |
|
G. K. Chesterton |
| EGKC022 |
The Victorian Age in Literature
|
G. K. Chesterton |
| EWEH001 |
Views and Reviews
| |
Dickens |
| |
Thackeray |
| |
Disraeli |
| |
Alexandre Dumas |
| |
George Meredith |
| |
Byron |
| |
Hugo |
| |
Heine |
| |
Matthew Arnold |
| |
Homer and Theocritus |
| |
Rabelais |
| |
Shakespeare |
| |
Sidney |
| |
Tourneur |
| |
Walton |
| |
Herrick |
| |
Locker |
| |
Banville |
| |
Dobson |
| |
Berlioz |
| |
George Eliot |
| |
Borrow |
| |
Balzac |
| |
Labiche |
| |
Champfleury |
| |
Longfellow |
| |
Tennyson |
| |
Gordon Hake |
| |
Landor |
| |
Hood |
| |
Lever |
| |
Jefferies |
| |
Gay |
| |
Essays and Essayists |
| |
Boswell |
| |
Congreve |
| |
Arabian Nights Entertainments |
| |
Richardson |
| |
Tolstoi |
| |
Fielding |
|
William Ernest Henley |
| EDDX012 |
Vindication of the Press
|
Daniel Defoe |
| EHMT003 |
Waiting for Daylight
|
H. M. Tomlinson |
| AJLX021 |
War of the Classes
| |
The Class Struggle |
| |
The Tramp |
| |
The Scab |
| |
The Question of the Maximum |
| |
A Review |
| |
Wanted: A New Law of Development |
| |
How I Became a Socialist |
|
Jack London |
| EGKC040 |
William Cobbett
|
G. K. Chesterton |
| OMMX002 |
Wisdom and Destiny
|
Maurice Maeterlinck |
| RLTX010 |
The Works of Guy de Maupassant
|
Leo Tolstoy |
| EGOX015 |
Writers and Leviathan
|
George Orwell * |
| EMXB002 |
Yet Again
| |
The Fire |
| |
Seeing People Off |
| |
A Memory of a Midnight Express |
| |
Porro Unum... |
| |
A Club in Ruins |
| |
'273' |
| |
A Study In Dejection |
| |
A Pathetic Imposture |
| |
The Decline of the Graces |
| |
Whistler's Writing |
| |
Ichabod |
| |
General Elections |
| |
A Parallel |
| |
A Morris for May-Day |
| |
The House of Commons Manner |
| |
The Naming of Streets |
| |
On Shakespeare's Birthday |
| |
A Home-Coming |
| |
The Ragged Regiment |
| |
The Humour of the Public |
| |
Dulcido Judiciorum |
| |
Words For Pictures |
| |
Some Criticisms of the First Edition |
|
Max Beerbohm |
Chrysoma Associates Limited
