eBook Code |
Title |
Author |
TBCX001 |
Aesthetic as Science of Expression and General Linguistic
|
Benedetto Croce |
GFSX013 |
Aesthetical Essays
|
The Moral Utility of Aesthetic Manners |
|
On the Sublime |
|
The Pathetic |
|
On Grace and Dignity |
|
On Dignity |
|
On the Necessary Limitations in the Use of Beauty of Form |
|
Reflections on the Use of the Vulgar and Low Elements in Works of Art |
|
Detached Reflections on Different Questions of Aesthetics |
|
On Simple and Sentimental Poetry |
|
Sentimental Poetry |
|
Satirical Poetry |
|
Elegiac Poetry |
|
Idyl |
|
The Stage as a Moral Institution |
|
On the Tragic Art |
|
Of the Cause of the Pleasure We Derive from Tragic Objects |
|
Friedrich Schiller |
EGKC029 |
Alarms and Discursions
|
On Gargoyles |
|
The Surrender of a Cockney |
|
The Nightmare |
|
The Telegraph Poles |
|
A Drama of Dolls |
|
The Man and His Newspaper |
|
The Appetite of Earth |
|
Simmons and the Social Tie |
|
Cheese |
|
The Red Town |
|
The Furrows |
|
The Philosophy of Sight-seeing |
|
A Criminal Head |
|
The Wrath of the Roses |
|
The Gold of Glastonbury |
|
The Futurists |
|
Dukes |
|
The Glory of Grey |
|
The Anarchist |
|
How I Found the Superman |
|
The New House |
|
The Wings of Stone |
|
The Three Kinds of Men |
|
The Steward of the Chiltern Hundreds |
|
The Field of Blood |
|
The Strangeness of Luxury |
|
The Triumph of the Donkey |
|
The Wheel |
|
Five Hundred and Fifty-five |
|
Ethandune |
|
The Flat Freak |
|
The Garden of the Sea |
|
The Sentimentalist |
|
The White Horses |
|
The Long Bow |
|
The Modern Scrooge |
|
The High Plains |
|
The Chorus |
|
A Romance of the Marshes |
|
G. K. Chesterton |
EHER004 |
Art and Crisis
|
Herbert Read |
ARGI002 |
Art and Morality
|
Robert G. Ingersoll |
AIED008 |
Art for Philistia
|
Irwin Edman |
EVLX008 |
The Artistic Dualism of the Renaissance
|
Vernon Lee * |
AEWP008 |
The Artistic Side of Chicago
|
Elia W. Peattie |
EWBS002 |
As We Are and As We May Be
|
The Endowment of the Daughter |
|
From Thirteen to Seventeen |
|
The People's Palace |
|
Sunday Morning in the City |
|
A Riverside Parish |
|
St. Katherine's by the Tower |
|
The Upward Pressure |
|
The Land of Romance |
|
The Land of Reality |
|
Art and the People |
|
The Amusements of the People |
|
The Associated Life |
|
Walter Besant |
EVLX005 |
The Beautiful
|
Vernon Lee * |
EVLX011 |
Belcaro
|
The Child in the Vatican |
|
Orpheus and Eurydice |
|
Faustus and Helena |
|
Chapelmaster Kreisler |
|
Cherubino |
|
In Umbria |
|
Ruskinism |
|
A Dialogue on Poetic Morality |
|
Postscript or Apology |
|
Vernon Lee * |
EEVL004 |
A Boswell of Baghdad and Diversions
|
A Boswell of Baghdad |
|
Nurses |
|
No. 344260 |
|
The Two Perkinses |
|
Arts of Invasion |
|
The Marble Arch and Peter Magnus |
|
The Oldest Joke |
|
The Puttenhams |
|
Poetry Made Easy |
|
A Pioneer |
|
Full Circle |
|
A Friend of Man |
|
The Listener |
|
The Dark Secret |
|
The Scholar and the Pirate |
|
A Set of Three |
|
A Lesson |
|
A Revel in Gambogia |
|
The Misfire |
|
A Letter |
|
A Manor in the Air |
|
Rivalry |
|
A First Communion in the War Zone |
|
The Ace of Diamonds |
|
The Reward of our Brother the Poilu |
|
E. V. Lucas |
EJGX042 |
Censorship and Art
|
About Censorship |
|
Vague Thoughts on Art |
|
John Galsworthy |
EATM002 |
The Colour of Life
|
The Colour of Life |
|
A Point of Biography |
|
Cloud |
|
Winds of the World |
|
The Honours of Mortality |
|
At Monastery Gates |
|
Rushes and Reeds |
|
Eleonora Duse |
|
Donkey Races |
|
Grass |
|
A Woman in Grey |
|
Symmetry and Incident |
|
The Illusion of Historic Time |
|
Eyes |
|
Alice Meynell |
EAJX001 |
The Coming of the Friars and Other Historical Essays
|
The Coming of the Friars |
|
Village Life Six Hundred Years Ago |
|
Daily Life in A Medieval Monastery |
|
The Black Death in East Anglia |
|
The Building Up of A University |
|
The Prophet of Walnut-tree Yard |
|
Augustus Jessopp |
ACDW002 |
The Complete Essays
|
A Night in the Garden of the Tuileries |
|
Truthfullness |
|
The Pursuit of Happiness |
|
Literature and the Stage |
|
The Life-Saving and Life Prolonging Art |
|
"H.H." in Southern California |
|
Simplicity |
|
The English Volunteers During the Late Invasion |
|
Nathan Hale |
|
Fashions in Literature |
|
The American Newspaper |
|
Certain Diversities of American Life |
|
The Pilgrim, and the American of Today |
|
Some Causes of the Prevailing Discontent |
|
The Education of the Negro |
|
The Indeterminate Sentence - What Shall be Done With the Crimanl Class? |
|
Literary Copyright |
|
The Relation of Literature to Life |
|
Equality |
|
What Is Your Culture to Me? |
|
Modern Fiction |
|
Thoughts Suggested by Mr. Froude's "Progress" |
|
England |
|
The Novel and the Common School |
|
The People For Whom Shakespeare Wrote |
|
Rose and Chrysanthemum |
|
The Red Bonnet |
|
The Loss in Civilization |
|
Social Screaming |
|
Does Refinement Kill Individuality? |
|
The Directoire Gown |
|
The Mystery of the Sex |
|
The Clothes of Fiction |
|
The Broad A |
|
Chewing Gum |
|
Women in Congress |
|
Shall Women Propose? |
|
Frocks and the Stage |
|
Altruism |
|
Social Clearing-House |
|
Dinner-Table Talk |
|
Naturalization |
|
The Art of Governing |
|
Love of Display |
|
Value of the Commonplace |
|
The Burden of Christmas |
|
The Responsibility of Writers |
|
The Cap and Gown |
|
A Tendency of the Age |
|
A Locoed Novelist |
|
Our President |
|
The Newspaper-Made Man |
|
Interesting Girls |
|
Give the Men a Chance |
|
The Advent of Candor |
|
The American Man |
|
The Electric Way |
|
Can a Husband Open His Wife's Letters? |
|
A Leisure Class |
|
Weather and Character |
|
Born With an "Ego" |
|
Juventus Mundi |
|
A Beautiful Old Age |
|
The Attraction of the Repulsive |
|
Giving as a Luxury |
|
Climate and Happiness |
|
The New Feminine Reserve |
|
Repose in Activity |
|
Women - Ideal and Real |
|
The Art of Idleness |
|
Is There Any Conversation? |
|
The Tall Girl |
|
The Deadly Diary |
|
The Whistling Girl |
|
Born Old and Rich |
|
The "Old Soldier" |
|
The Island of Bimini |
|
June |
|
Charles Dudley Warner |
AJUH002 |
Confessions and Criticisms
|
A Preliminary Confession |
|
Novels and Agnosticism |
|
Americanism in Fiction |
|
Literature for Children |
|
The Moral Aim in Fiction |
|
The Maker of Many Books |
|
Mr. Mallock's Missing Science |
|
Theodore Winthrop's Writings |
|
Emerson as an American |
|
Modern Magic |
|
American Wild Animals in Art |
|
Julian Hawthorne |
ATPX009 |
The Construction of Iron Bridges
|
Thomas Paine |
OYNO001 |
Daibutsu
|
Yone Noguchi |
EAHX011 |
Death and the Baroque
|
Aldous Huxley |
IWBY017 |
Discoveries
|
Prophet, Priest and King |
|
Personality and the Intellectual Essences |
|
The Musician and the Orator |
|
A Banjo Player |
|
The Looking-glass |
|
The Tree of Life |
|
The Praise of Old Wives' Tales |
|
The Play of Modern Manners |
|
Has the Drama of Contemporary Life a Root of its Own |
|
Why the Blind Man in Ancient Times Was Made a Poet |
|
Concerning Saints and Artists |
|
The Subject Matter of Drama |
|
The Two Kinds of Asceticism |
|
In the Serpent's Mouth |
|
The Black and the White Arrows |
|
His Mistress's Eyebrows |
|
The Tresses of the Hair |
|
A Tower on the Apennine |
|
The Thinking of the Body |
|
Religious Belief Necessary to Symbolic Art |
|
The Holy Places |
|
William Butler Yeats |
ESMX043 |
Don Fernando
|
W. Somerset Maugham |
EAWP003 |
The Drama
|
Arthur W. Pinero |
ELAB005 |
An Essay Towards a Theory of Art
|
Lascelles Abercrombie |
ARWE001 |
Essays
|
Art |
|
Character |
|
Circles |
|
Compensation |
|
Experience |
|
Friendship |
|
Gifts |
|
Heroism |
|
History Repeats Itself |
|
Intellect |
|
Love |
|
Manners |
|
Nature |
|
Nominalist and Realist |
|
The Over-Soul |
|
The Poet |
|
Politics |
|
Prudence |
|
Self-Reliance |
|
Spiritual Laws |
|
Ralph Waldo Emerson |
EVLX009 |
Euphorion
|
The Sacrifice |
|
The Italy of the Elizabethan Dramatists |
|
The Outdoor Poetry |
|
Symmetria Prisca |
|
The Portrait Art |
|
The School of Boiardo |
|
Medieval Love |
|
Vernon Lee * |
EAHX010 |
Faith, Taste and History
|
Aldous Huxley |
ERJX005 |
Field and Hedgerow
|
Hours of Spring |
|
Nature and Books |
|
The July Grass |
|
Winds of Heaven |
|
The Country Sunday |
|
The Country-side: Sussex |
|
Swallow-Time |
|
Buckhurst Park |
|
House-Martins |
|
Among the Nuts |
|
Walks in the Wheat-fields |
|
Just Before Winter |
|
Locality and Nature |
|
Country Places |
|
Field Words and Ways |
|
Cottage Ideas |
|
April Gossip |
|
Some April Insects |
|
The Time of Year |
|
Mixed Days of May and December |
|
The Makers of Summer |
|
Steam on Country Roads |
|
Field Sports in Art |
|
Birds' Nests |
|
Nature in the Louvre |
|
Summer in Somerset |
|
An English Deer-Park |
|
My Old Village |
|
My Chaffinch |
|
Richard Jefferies |
EACB001 |
From A College Window
|
The Point of View |
|
On Growing Older |
|
Books |
|
Sociabilities |
|
Conversation |
|
Beauty |
|
Art |
|
Egotism |
|
Education |
|
Authorship |
|
The Criticism of Others |
|
Priests |
|
Ambition |
|
The Simple Life |
|
Games |
|
Spiritualism |
|
Habits |
|
Religion |
|
A. C. Benson |
EWHH008 |
A Hind in Richmond Park
|
W. H. Hudson |