| eBook Code |
Title |
Author |
| TBCX001 |
Aesthetic as Science of Expression and General Linguistic
|
Benedetto Croce |
| GFSX013 |
Aesthetical Essays
| |
The Moral Utility of Aesthetic Manners |
| |
On the Sublime |
| |
The Pathetic |
| |
On Grace and Dignity |
| |
On Dignity |
| |
On the Necessary Limitations in the Use of Beauty of Form |
| |
Reflections on the Use of the Vulgar and Low Elements in Works of Art |
| |
Detached Reflections on Different Questions of Aesthetics |
| |
On Simple and Sentimental Poetry |
| |
Sentimental Poetry |
| |
Satirical Poetry |
| |
Elegiac Poetry |
| |
Idyl |
| |
The Stage as a Moral Institution |
| |
On the Tragic Art |
| |
Of the Cause of the Pleasure We Derive from Tragic Objects |
|
Friedrich Schiller |
| EGKC029 |
Alarms and Discursions
| |
On Gargoyles |
| |
The Surrender of a Cockney |
| |
The Nightmare |
| |
The Telegraph Poles |
| |
A Drama of Dolls |
| |
The Man and His Newspaper |
| |
The Appetite of Earth |
| |
Simmons and the Social Tie |
| |
Cheese |
| |
The Red Town |
| |
The Furrows |
| |
The Philosophy of Sight-seeing |
| |
A Criminal Head |
| |
The Wrath of the Roses |
| |
The Gold of Glastonbury |
| |
The Futurists |
| |
Dukes |
| |
The Glory of Grey |
| |
The Anarchist |
| |
How I Found the Superman |
| |
The New House |
| |
The Wings of Stone |
| |
The Three Kinds of Men |
| |
The Steward of the Chiltern Hundreds |
| |
The Field of Blood |
| |
The Strangeness of Luxury |
| |
The Triumph of the Donkey |
| |
The Wheel |
| |
Five Hundred and Fifty-five |
| |
Ethandune |
| |
The Flat Freak |
| |
The Garden of the Sea |
| |
The Sentimentalist |
| |
The White Horses |
| |
The Long Bow |
| |
The Modern Scrooge |
| |
The High Plains |
| |
The Chorus |
| |
A Romance of the Marshes |
|
G. K. Chesterton |
| EHER004 |
Art and Crisis
|
Herbert Read |
| ARGI002 |
Art and Morality
|
Robert G. Ingersoll |
| AIED008 |
Art for Philistia
|
Irwin Edman |
| EVLX008 |
The Artistic Dualism of the Renaissance
|
Vernon Lee * |
| AEWP008 |
The Artistic Side of Chicago
|
Elia W. Peattie |
| EWBS002 |
As We Are and As We May Be
| |
The Endowment of the Daughter |
| |
From Thirteen to Seventeen |
| |
The People's Palace |
| |
Sunday Morning in the City |
| |
A Riverside Parish |
| |
St. Katherine's by the Tower |
| |
The Upward Pressure |
| |
The Land of Romance |
| |
The Land of Reality |
| |
Art and the People |
| |
The Amusements of the People |
| |
The Associated Life |
|
Walter Besant |
| EVLX005 |
The Beautiful
|
Vernon Lee * |
| EVLX011 |
Belcaro
| |
The Child in the Vatican |
| |
Orpheus and Eurydice |
| |
Faustus and Helena |
| |
Chapelmaster Kreisler |
| |
Cherubino |
| |
In Umbria |
| |
Ruskinism |
| |
A Dialogue on Poetic Morality |
| |
Postscript or Apology |
|
Vernon Lee * |
| OOKA001 |
The Book of Tea
|
Okakura Kakuzo |
| EEVL004 |
A Boswell of Baghdad and Diversions
| |
A Boswell of Baghdad |
| |
Nurses |
| |
No. 344260 |
| |
The Two Perkinses |
| |
Arts of Invasion |
| |
The Marble Arch and Peter Magnus |
| |
The Oldest Joke |
| |
The Puttenhams |
| |
Poetry Made Easy |
| |
A Pioneer |
| |
Full Circle |
| |
A Friend of Man |
| |
The Listener |
| |
The Dark Secret |
| |
The Scholar and the Pirate |
| |
A Set of Three |
| |
A Lesson |
| |
A Revel in Gambogia |
| |
The Misfire |
| |
A Letter |
| |
A Manor in the Air |
| |
Rivalry |
| |
A First Communion in the War Zone |
| |
The Ace of Diamonds |
| |
The Reward of our Brother the Poilu |
|
E. V. Lucas |
| EJGX042 |
Censorship and Art
| |
About Censorship |
| |
Vague Thoughts on Art |
|
John Galsworthy |
| EATM002 |
The Colour of Life
| |
The Colour of Life |
| |
A Point of Biography |
| |
Cloud |
| |
Winds of the World |
| |
The Honours of Mortality |
| |
At Monastery Gates |
| |
Rushes and Reeds |
| |
Eleonora Duse |
| |
Donkey Races |
| |
Grass |
| |
A Woman in Grey |
| |
Symmetry and Incident |
| |
The Illusion of Historic Time |
| |
Eyes |
|
Alice Meynell |
| EAJX001 |
The Coming of the Friars and Other Historical Essays
| |
The Coming of the Friars |
| |
Village Life Six Hundred Years Ago |
| |
Daily Life in A Medieval Monastery |
| |
The Black Death in East Anglia |
| |
The Building Up of A University |
| |
The Prophet of Walnut-tree Yard |
|
Augustus Jessopp |
| ACDW002 |
The Complete Essays
| |
A Night in the Garden of the Tuileries |
| |
Truthfullness |
| |
The Pursuit of Happiness |
| |
Literature and the Stage |
| |
The Life-Saving and Life Prolonging Art |
| |
"H.H." in Southern California |
| |
Simplicity |
| |
The English Volunteers During the Late Invasion |
| |
Nathan Hale |
| |
Fashions in Literature |
| |
The American Newspaper |
| |
Certain Diversities of American Life |
| |
The Pilgrim, and the American of Today |
| |
Some Causes of the Prevailing Discontent |
| |
The Education of the Negro |
| |
The Indeterminate Sentence - What Shall be Done With the Crimanl Class? |
| |
Literary Copyright |
| |
The Relation of Literature to Life |
| |
Equality |
| |
What Is Your Culture to Me? |
| |
Modern Fiction |
| |
Thoughts Suggested by Mr. Froude's "Progress" |
| |
England |
| |
The Novel and the Common School |
| |
The People For Whom Shakespeare Wrote |
| |
Rose and Chrysanthemum |
| |
The Red Bonnet |
| |
The Loss in Civilization |
| |
Social Screaming |
| |
Does Refinement Kill Individuality? |
| |
The Directoire Gown |
| |
The Mystery of the Sex |
| |
The Clothes of Fiction |
| |
The Broad A |
| |
Chewing Gum |
| |
Women in Congress |
| |
Shall Women Propose? |
| |
Frocks and the Stage |
| |
Altruism |
| |
Social Clearing-House |
| |
Dinner-Table Talk |
| |
Naturalization |
| |
The Art of Governing |
| |
Love of Display |
| |
Value of the Commonplace |
| |
The Burden of Christmas |
| |
The Responsibility of Writers |
| |
The Cap and Gown |
| |
A Tendency of the Age |
| |
A Locoed Novelist |
| |
Our President |
| |
The Newspaper-Made Man |
| |
Interesting Girls |
| |
Give the Men a Chance |
| |
The Advent of Candor |
| |
The American Man |
| |
The Electric Way |
| |
Can a Husband Open His Wife's Letters? |
| |
A Leisure Class |
| |
Weather and Character |
| |
Born With an "Ego" |
| |
Juventus Mundi |
| |
A Beautiful Old Age |
| |
The Attraction of the Repulsive |
| |
Giving as a Luxury |
| |
Climate and Happiness |
| |
The New Feminine Reserve |
| |
Repose in Activity |
| |
Women - Ideal and Real |
| |
The Art of Idleness |
| |
Is There Any Conversation? |
| |
The Tall Girl |
| |
The Deadly Diary |
| |
The Whistling Girl |
| |
Born Old and Rich |
| |
The "Old Soldier" |
| |
The Island of Bimini |
| |
June |
|
Charles Dudley Warner |
| AJUH002 |
Confessions and Criticisms
| |
A Preliminary Confession |
| |
Novels and Agnosticism |
| |
Americanism in Fiction |
| |
Literature for Children |
| |
The Moral Aim in Fiction |
| |
The Maker of Many Books |
| |
Mr. Mallock's Missing Science |
| |
Theodore Winthrop's Writings |
| |
Emerson as an American |
| |
Modern Magic |
| |
American Wild Animals in Art |
|
Julian Hawthorne |
| ATPX009 |
The Construction of Iron Bridges
|
Thomas Paine |
| OYNO001 |
Daibutsu
|
Yone Noguchi |
| EAHX011 |
Death and the Baroque
|
Aldous Huxley |
| IWBY017 |
Discoveries
| |
Prophet, Priest and King |
| |
Personality and the Intellectual Essences |
| |
The Musician and the Orator |
| |
A Banjo Player |
| |
The Looking-glass |
| |
The Tree of Life |
| |
The Praise of Old Wives' Tales |
| |
The Play of Modern Manners |
| |
Has the Drama of Contemporary Life a Root of its Own |
| |
Why the Blind Man in Ancient Times Was Made a Poet |
| |
Concerning Saints and Artists |
| |
The Subject Matter of Drama |
| |
The Two Kinds of Asceticism |
| |
In the Serpent's Mouth |
| |
The Black and the White Arrows |
| |
His Mistress's Eyebrows |
| |
The Tresses of the Hair |
| |
A Tower on the Apennine |
| |
The Thinking of the Body |
| |
Religious Belief Necessary to Symbolic Art |
| |
The Holy Places |
|
William Butler Yeats |
| ESMX043 |
Don Fernando
|
W. Somerset Maugham |
| EAWP003 |
The Drama
|
Arthur W. Pinero |
| ZGED070 |
Emperor William II as a National Type
| |
Employers and Employees |
| |
Needed Improvement in the Conditions of the Working People |
| |
The German Flag |
| |
Needed Reform of the Prussian Schools |
| |
Men of Brandenburg, We Are Meant for Big Things! |
| |
The German Empire Has Duties Also Across the Sea! |
| |
The New Port of Stettin |
| |
Bethlehem |
| |
The German Empire-oak |
| |
Germany the Preserver of Peace |
| |
The Importance of Inland Waterways |
| |
Germany's Need of A Navy |
| |
Technical Universities |
| |
The Berlin Academy of Sciences |
| |
Ideals of Student Life |
| |
Our Future Lies on the Water |
| |
True Art |
| |
The German Folk-song |
| |
Germany and North America |
| |
A Christian Life |
| |
Emperor Frederick, Patron of German Art |
| |
The Larger Scope of the University of Berlin |
| |
The Duties of A Naval Officer |
| |
Advice to Young Students |
|
Documents - Germany |
| ELAB005 |
An Essay Towards a Theory of Art
|
Lascelles Abercrombie |
| ARWE001 |
Essays
| |
Art |
| |
Character |
| |
Circles |
| |
Compensation |
| |
Experience |
| |
Friendship |
| |
Gifts |
| |
Heroism |
| |
History Repeats Itself |
| |
Intellect |
| |
Love |
| |
Manners |
| |
Nature |
| |
Nominalist and Realist |
| |
The Over-Soul |
| |
The Poet |
| |
Politics |
| |
Prudence |
| |
Self-Reliance |
| |
Spiritual Laws |
|
Ralph Waldo Emerson |
| EVLX009 |
Euphorion
| |
The Sacrifice |
| |
The Italy of the Elizabethan Dramatists |
| |
The Outdoor Poetry |
| |
Symmetria Prisca |
| |
The Portrait Art |
| |
The School of Boiardo |
| |
Medieval Love |
|
Vernon Lee * |
| EAHX010 |
Faith, Taste and History
|
Aldous Huxley |
| EHER009 |
The Fate of Modern Painting
|
Herbert Read |
