| eBook Code |
Title |
Author |
| ADGB002 |
Aboriginal American Authors and Their Productions
|
Daniel G. Brinton |
| ALYA002 |
Abraham Lincoln's Religion
|
Lyman Abbott |
| EAQC022 |
Adventures in Criticism
| |
Chaucer |
| |
"The Passionate Pilgrim" |
| |
Shakespeare's Lyrics |
| |
Samuel Daniel |
| |
William Browne |
| |
Thomas Carew |
| |
"Robinson Crusoe" |
| |
Lawrence Sterne |
| |
Scott and Burns |
| |
Charles Reade |
| |
Henry Kingsley |
| |
Alexander William Kinglake |
| |
C.S.C. and J.K.S. |
| |
Robert Louis Stevenson |
| |
M. Zola |
| |
Selection |
| |
Externals |
| |
Club Talk |
| |
Excursionists in Poetry |
| |
The Popular Conception of a Poet |
| |
Poets on Their Own Art |
| |
The Attitude of the Public Towards Letters |
| |
A Case of Bookstall Censorship |
| |
The Poor Little Penny Dreadful |
| |
Ibsen's "Peer Gynt" |
| |
Mr. Swinburne's Later Manner |
| |
A Morning with a Book |
| |
Mr. John Davidson |
| |
Bjoernsterne Bjoernson |
| |
Mr. George Moore |
| |
Mrs. Margaret L. Woods |
| |
Mr. Hall Caine |
| |
Mr. Anthony Hope |
| |
"Trilby" |
| |
Mr. Stockton |
| |
Bow-Wow |
| |
Of Seasonable Numbers |
|
Arthur Quiller-Couch |
| EWHP001 |
Aesthetic Poetry
|
Walter Pater |
| GFSX013 |
Aesthetical Essays
| |
The Moral Utility of Aesthetic Manners |
| |
On the Sublime |
| |
The Pathetic |
| |
On Grace and Dignity |
| |
On Dignity |
| |
On the Necessary Limitations in the Use of Beauty of Form |
| |
Reflections on the Use of the Vulgar and Low Elements in Works of Art |
| |
Detached Reflections on Different Questions of Aesthetics |
| |
On Simple and Sentimental Poetry |
| |
Sentimental Poetry |
| |
Satirical Poetry |
| |
Elegiac Poetry |
| |
Idyl |
| |
The Stage as a Moral Institution |
| |
On the Tragic Art |
| |
Of the Cause of the Pleasure We Derive from Tragic Objects |
|
Friedrich Schiller |
| AJGH006 |
After Ibsen?
|
James Huneker |
| ATSE004 |
After Strange Gods
|
T. S. Eliot |
| EACS005 |
The Age of Shakespeare
| |
Christopher Marlowe |
| |
John Webster |
| |
Thomas Dekker |
| |
John Marston |
| |
Thomas Middleton |
| |
William Rowley |
| |
Thomas Heywood |
| |
George Chapman |
| |
Cyril Tourneur |
|
Algernon Charles Swinburne |
| OVAR009 |
Aikin,J. & Barbauld, Anna -Miscellaneous Pieces, In Prose
| |
On the Province of Comedy |
| |
The Hill of Science, A Vision |
| |
On Romances, An Imitation |
| |
Selama; An Imitation of Ossian |
| |
Against Inconsistency in Our Expectations |
| |
Carter's Epictetus |
| |
The Canal and the Brook; An Apologue |
| |
On Monastic Institutions |
| |
On the Pleasure Derived From Objects of Terror; with Sir Bertrand, A Fragment |
| |
On the Heroic Poem of Gondibert |
| |
An Enquiry Into Those Kinds of Distress Which Excite Agreeable Sensations |
| |
Thoughts on the Devotional Taste, on Sects, and on Establishments |
|
Various Authors |
| EGKC029 |
Alarms and Discursions
| |
On Gargoyles |
| |
The Surrender of a Cockney |
| |
The Nightmare |
| |
The Telegraph Poles |
| |
A Drama of Dolls |
| |
The Man and His Newspaper |
| |
The Appetite of Earth |
| |
Simmons and the Social Tie |
| |
Cheese |
| |
The Red Town |
| |
The Furrows |
| |
The Philosophy of Sight-seeing |
| |
A Criminal Head |
| |
The Wrath of the Roses |
| |
The Gold of Glastonbury |
| |
The Futurists |
| |
Dukes |
| |
The Glory of Grey |
| |
The Anarchist |
| |
How I Found the Superman |
| |
The New House |
| |
The Wings of Stone |
| |
The Three Kinds of Men |
| |
The Steward of the Chiltern Hundreds |
| |
The Field of Blood |
| |
The Strangeness of Luxury |
| |
The Triumph of the Donkey |
| |
The Wheel |
| |
Five Hundred and Fifty-five |
| |
Ethandune |
| |
The Flat Freak |
| |
The Garden of the Sea |
| |
The Sentimentalist |
| |
The White Horses |
| |
The Long Bow |
| |
The Modern Scrooge |
| |
The High Plains |
| |
The Chorus |
| |
A Romance of the Marshes |
|
G. K. Chesterton |
| EEVW009 |
Alec Waugh
|
Evelyn Waugh |
| ESKS003 |
All the Books of My Life
|
Sheila Kaye-Smith |
| EGKC024 |
All Things Considered
| |
The Case for the Ephemeral |
| |
Cockneys and Their Jokes |
| |
The Fallacy of Success |
| |
On Running After One's Hat |
| |
The Vote and the House |
| |
Conceit and Caricature |
| |
Patriotism and Sport |
| |
An Essay on Two Cities |
| |
French and English |
| |
The Zola Controversy |
| |
Oxford From Without |
| |
Woman |
| |
The Modern Martyr |
| |
On Political Secrecy |
| |
Edward VII and Scotland |
| |
Thoughts Around Koepenick |
| |
The Boy |
| |
Limericks and Counsels of Perfection |
| |
Anonymity and Further Counsels |
| |
On the Cryptic and the Elliptic |
| |
The Worship of the Wealthy |
| |
Science and Religion |
| |
The Methuselahite |
| |
Spiritualism |
| |
The Error of Impartiality |
| |
Phonetic Spelling |
| |
Humanitarianism and Strength |
| |
Wine When it is Red |
| |
Demagogues and Mystagogues |
| |
The "Eatanswill Gazette" |
| |
Fairy Tales |
| |
Tom Jones and Morality |
| |
The Maid of Orleans |
| |
A Dead Poet |
| |
Christmas |
|
G. K. Chesterton |
| AVJO003 |
America and the English Literary Tradition
|
Vincent O'Sullivan |
| AVJO004 |
The American Critic
|
Vincent O'Sullivan |
| ACDM010 |
An American Gentleman
|
Christopher Morley |
| ACCV006 |
The American Rhythm [Mary Austin]
|
Carl Van Doren |
| ABLP001 |
The American Spirit in Literature
|
Bliss Perry |
| AWSY010 |
American Writing As I See It
|
William Saroyan |
| ABRM006 |
Americanisms and Briticisms With Other Essays on Other Isms
| |
Americanisms and Briticisms |
| |
As to "American Spelling" |
| |
The Literary Independence of the United States |
| |
The Centenary of Fenimore Cooper |
| |
Ignorance and Insularity |
| |
The Whole Duty of Critics |
| |
Three American Essayists |
| |
Of Mark Twain's Best Story |
| |
Of a Novel of M. Zola's |
| |
Of Women's Novels |
| |
Of Two Latterday Humorists |
|
Brander Matthews |
| ACDM011 |
Ampersands
|
Christopher Morley |
| REGX001 |
Anarchism and Other Essays
| |
Anarchism: What it Really Stands For |
| |
Minorities Versus Majorities |
| |
The Psychology of Political Violence |
| |
Prisons: A Social Crime and Failure |
| |
Patriotism: A Menace to Liberty |
| |
Francisco Ferrer and the Modern School |
| |
The Hypocrisy of Puritanism |
| |
The Traffic in Women |
| |
Woman Suffrage |
| |
The Tragedy of Woman's Emancipation |
| |
Marriage and Love |
| |
The Modern Drama: A Powerful Disseminator of Radical Thought |
|
Emma Goldman |
| NGBX002 |
Anatole France
|
Georg Brandes |
| ANHX012 |
The Ancestral Footstep
|
Nathaniel Hawthorne |
| EMXB001 |
And Even Now
| |
A Relic |
| |
How Shall I Word It? |
| |
Mobled King |
| |
Kolniyatsch |
| |
No. 2 The Pines |
| |
A Letter That Was Not Written |
| |
Books Within Books |
| |
The Golden Drugget |
| |
Hosts and Guests |
| |
A Point to Be Remembered By Very Eminent Men |
| |
Servants |
| |
Going Out For A Walk |
| |
Quia Imperfectum |
| |
Something Defeasible |
| |
A Clergyman |
| |
The Crime |
| |
In Homes Unblest |
| |
William and Mary |
| |
On Speaking French |
| |
Laughter |
|
Max Beerbohm |
| EAHX045 |
"And Wanton Optics Roll the Melting Eye"
|
Aldous Huxley |
| EPCQ004 |
Andre Gide
|
Peter Quennell |
| ATSE016 |
Andrew Marvell
|
T. S. Eliot |
| EJDB004 |
Anger and Dismay
|
J. D. Beresford |
| EJGX022 |
Another Sheaf
| |
The Road |
| |
The Sacred Work |
| |
The Balance Sheet of the Soldier-Workman |
| |
The Children's Jewel Fund |
| |
France, 1916-1917, An Impression |
| |
Englishman and Russian |
| |
American and Briton |
| |
Anglo-American Drama and its Future |
| |
Speculations |
| |
The Land, 1917 |
| |
The Land, 1918 |
| |
Grotesques |
|
John Galsworthy |
