| eBook Code |
Title |
Author |
| EDMT003 |
18 Poems
| |
I See the Boys of Summer |
| |
When Once the Twilight Locks No Longer |
| |
A Process in the Weather of the Heart |
| |
Before I Knocked |
| |
The Force That Through The Green Fuse Drives The Flower |
| |
My Hero Bares His Nerves |
| |
Where Once the Waters of your Face |
| |
If I Were Tickled by the Rub of Love |
| |
Our Eunuch Dreams |
| |
Especially When the October Wind |
| |
When, Like a Running Grave |
| |
From Love's First Fever to Her Plague |
| |
In the Beginning |
| |
Light Breaks Where No Sun Shines |
| |
I Fellowed Sleep |
| |
I Dreamed My Genesis |
| |
My World is Pyramid |
| |
All All and All the Dry Worlds Lever |
|
Dylan Thomas |
| AMJC010 |
Accolon of Gaul With Other Poems
| |
Accolon of Gaul |
| |
Der Freischutz |
| |
To Revery |
| |
Late October |
| |
An Anemone |
| |
The Rain-Crow |
| |
Loveliness |
| |
The Last Scion of the House of Clare |
| |
On the Jellico-Spur |
| |
Senorita |
| |
Leander to Hero |
| |
Musagetes |
| |
The Quarrel |
| |
The Mood O' the Earth |
| |
A Gray Day |
| |
Carmen |
| |
Disenchantment of Death |
| |
The Three Urgandas |
| |
The Brush Sparrow |
| |
Chords |
| |
Dead and Gone |
| |
A Mabinogi |
| |
Genius Loci |
|
Madison Cawein |
| ERKX011 |
Actions and Reactions
| |
An Habitation Enforced |
| |
The Recall |
| |
Garm - A Hostage |
| |
The Power of the Dog |
| |
The Mother Hive |
| |
The Bees and the Flies |
| |
With the Night Mail |
| |
The Four Angels |
| |
A Deal in Cotton |
| |
The New Knighthood |
| |
The Puzzler |
| |
The Puzzler (Poem) |
| |
Little Foxes |
| |
Gallio's Song |
| |
The House Surgeon |
| |
The Rabbi's Song |
|
Rudyard Kipling |
| OIRC001 |
Adamastor
| |
Dedication to Mary Campbell |
| |
The Theology of Bongwi, the Baboon |
| |
Hialmar |
| |
Mazeppa |
| |
A Veld Eclogue: the Pioneers |
| |
Piet |
| |
Johnny |
| |
Buffel's Kop |
| |
Georgian Spring |
| |
St. Peter of the Three Canals |
| |
Solo and Chorus From 'the Conquistador' |
| |
Rounding the Cape |
| |
The Making of A Poet |
| |
A Song for the People |
| |
The Serf |
| |
The Zulu Girl |
| |
To A Pet Cobra |
| |
The Albatross |
| |
In the Town Square |
| |
To A Young Man with Pink Eyes |
| |
African Moonrise |
| |
Silence |
| |
The Festivals of Flight |
| |
Poets in Africa |
| |
The Zebras |
| |
Tristan Da Cunha |
| |
The Sisters |
| |
Resurrection |
| |
To A Contemporary |
| |
The Sleeper |
| |
Amphisboena |
| |
Horses on the Camargue |
| |
Mass At Dawn |
| |
The Palm |
| |
Estocade |
| |
Autumn |
| |
An Open Window |
| |
Sonnet |
| |
The Garden |
| |
The Snake |
| |
Home Thoughts in Bloomsbury |
| |
The Truth About Rhodes |
| |
Holism |
| |
A Temperance Official At the Exhibition of South African Paintings |
| |
Black Magic |
| |
On Some South African Novelists |
| |
On the Same |
| |
Polybius Jubb, As Vegetarian |
| |
Polybius Jubb's Defence of Highbrows |
| |
The Land Grabber |
| |
On the Death of A Journalist |
| |
On Professor Drennan's Verse |
| |
The Death of Polybius Jubb |
|
Roy Campbell |
| AOWH021 |
Additional Poems
| |
The Pilgrim's Vision |
| |
The Steamboat |
| |
Lexington |
| |
On Lending a Punch-bowl |
| |
A Song for the Centennial Celebration of Harvard College, 1836 |
| |
The Island Hunting-Song |
| |
Departed Days |
| |
The Only Daughter |
| |
Song Written for the Dinner Given to Charles Dickens |
| |
Lines Recited at the Berkshire Jubilee |
| |
Nux Postcoenatica |
| |
Verses for After-dinner Phi Beta Kappa Society, 1844 |
| |
A Modest Request |
| |
The Parting Word |
| |
A Song of Other Days |
| |
Song for a Temperance Dinner to Which Ladies Were Invited |
| |
A Sentiment |
| |
A Rhymed Lesson (Urania) |
| |
An After-Dinner Poem |
|
Oliver Wendell Holmes |
| ERBU003 |
Address to a Haggis
|
Robert Burns |
| AMXB002 |
Advice
| |
Advice to A Street-pavement |
| |
Advice to A Butter-cup |
| |
Advice to A River Steam-boat |
| |
Foundry Workers |
| |
Advice to A Horned Toad |
| |
Advice to A Forest |
| |
Rattlesnake Mountain Fable I |
| |
Advice to A Blue-Bird |
| |
To A Friend |
| |
Advice to A Woman |
| |
Rattlesnake Mountain Fable II |
| |
Advice to A Butterfly |
| |
Advice to A Pool |
| |
When Fools Dispute |
| |
Advice to A Grass-blade |
| |
East-Side: New York |
| |
To A Man |
| |
The Child Meditates |
| |
Pierrot Objects |
| |
Columbine Reflects |
| |
Rattle Snake Mountain Dialogue |
| |
Dialogue Between A Past and Present Poet |
| |
Smiles |
| |
The Courtesan Chats |
| |
The Mountebank Criticizes |
| |
To Li T'ai Po |
| |
Insanity |
| |
Track-Workers |
| |
Figure |
| |
Negroes |
| |
Broadway |
| |
Fifth Avenue |
| |
Young Woman |
| |
Two Women on A Street |
| |
Advice to Maple-trees |
| |
Boarding-House Episode |
| |
Vaudeville Moment |
| |
To Orrick Johns |
| |
Young Poet |
| |
Steel-Mills: South Chicago |
| |
South State Street: Chicago |
|
Maxwell Bodenheim |
| IJSX005 |
A Letter of Advice to a Young Poet
|
Jonathan Swift |
| EWHP001 |
Aesthetic Poetry
|
Walter Pater |
| GFSX013 |
Aesthetical Essays
| |
The Moral Utility of Aesthetic Manners |
| |
On the Sublime |
| |
The Pathetic |
| |
On Grace and Dignity |
| |
On Dignity |
| |
On the Necessary Limitations in the Use of Beauty of Form |
| |
Reflections on the Use of the Vulgar and Low Elements in Works of Art |
| |
Detached Reflections on Different Questions of Aesthetics |
| |
On Simple and Sentimental Poetry |
| |
Sentimental Poetry |
| |
Satirical Poetry |
| |
Elegiac Poetry |
| |
Idyl |
| |
The Stage as a Moral Institution |
| |
On the Tragic Art |
| |
Of the Cause of the Pleasure We Derive from Tragic Objects |
|
Friedrich Schiller |
| EPGB004 |
African Items
| |
Ultima Thule |
| |
Home Thoughts from Africa |
| |
Mooimeisjes |
| |
An Answer |
| |
The Dead Man |
| |
To a Boer Leader |
| |
Convalescence |
| |
Komani |
| |
Koodoo Outspan |
| |
Jim |
| |
Blue Peter |
| |
On the Hilltop |
| |
Bushman Paintings |
| |
Table Mountain |
| |
Jan Van Riebeck |
| |
Sea-Farers |
| |
The Veldt |
| |
Voices of the Veldt |
| |
Little Things |
| |
The Voorloopers |
| |
The Hobnailed Troubadour |
| |
The Nun |
| |
Mimosa |
| |
A Personal Note |
| |
The Exiles |
| |
The Harper |
| |
A Meeting |
| |
Evening |
| |
Browning, (Ex-africa) |
| |
Laurels |
| |
What Need? |
| |
Homeward Bound |
|
Perceval Gibbon |
| AKFR001 |
Afternoon of a Pawnbroker and Other Poems
| |
Continuous Performance |
| |
Art Review |
| |
Cracked Record Blues |
| |
Statistics |
| |
Travelogue in A Shooting-gallery |
| |
Thirteen O'clock |
| |
Certified Life |
| |
Reception Good |
| |
Confession Overheard in A Subway |
| |
Suburban Sunset, Pre-war, Or What Are We Missing? |
| |
King Juke |
| |
Beware |
| |
Elegy in A Theatrical Warehouse |
| |
Piano Tuner |
| |
Model for A Biography |
| |
End of the Seer's Convention |
| |
Finale |
| |
The Joys of Being A Businessman |
| |
Public Life |
| |
A Tribute, and A Nightmare |
| |
Afternoon of A Pawnbroker |
|
Kenneth Fearing |
| AJWR002 |
Afterwhiles
| |
Herr Weiser |
| |
The Beautiful City |
| |
Lockerbie Street |
| |
Das Krist Kindel |
| |
Anselmo |
| |
A Home-Made Fairy Tale |
| |
The South Wind and the Sun |
| |
The Lost Kiss |
| |
The Sphinx |
| |
If I knew What Poets Know |
| |
Ike Walton's Prayer |
| |
A Rough Sketch |
| |
Our Kind of a Man |
| |
The Harper |
| |
Old Aunt Mary's |
| |
Illileo |
| |
The King |
| |
A Bride |
| |
The Dead Lover |
| |
A Song |
| |
When Bessie Died |
| |
The Shower |
| |
A Life Lesson |
| |
A Scrawl |
| |
Away |
| |
Who Bides His Time |
| |
From the Headboard of a Grave in Paraguay |
| |
Laughter Holding Both His Sides |
| |
Fame |
| |
The Ripest Peach |
| |
A Fruit Piece |
| |
Their Sweet Sorrow |
| |
John McKeen |
| |
Out of Nazareth |
| |
September Dark |
| |
We To Sigh Instead of Sing |
| |
The Blossoms on the Trees |
| |
Last Night - And This |
| |
A Discouraging Model |
| |
Back From a Two-years' Sentence |
| |
The Wandering Jew |
| |
Becalmed |
| |
To Santa Claus |
| |
Where the Children Used to Play |
| |
A Glimpse of Pan |
| |
Pan |
| |
Dusk |
| |
June |
| |
Silence |
| |
Sleep |
| |
Her Hair |
| |
Dearth |
| |
A Voice From the Farm |
| |
The Serenade |
| |
Art and Love |
| |
Longfellow |
| |
Indiana |
| |
Time |
| |
Grant At Rest - August 8, 1885 |
| |
Old Fashioned Roses |
| |
Griggsby's Station |
| |
Knee Deep in June |
| |
When The Hearse Comes Back |
| |
A Canary At the Farm |
| |
A Liz Town Humorist |
| |
Kingry's Mill |
| |
Joney |
| |
Like His Mother Used To Make |
| |
The Train Misser |
| |
Granny |
| |
Old October |
| |
Jim |
| |
To Robert Burns |
| |
A New Year's Time at Willards's |
| |
The Town Karnteel |
| |
Regardin' Terry Hut |
| |
Leedle Dutch Baby |
| |
Down On Wriggle Crick |
| |
When De Folks Is Gone |
| |
The Little Town O' Tailholt |
| |
Little Orphant Annie |
|
James Whitcomb Riley |
| EACS005 |
The Age of Shakespeare
| |
Christopher Marlowe |
| |
John Webster |
| |
Thomas Dekker |
| |
John Marston |
| |
Thomas Middleton |
| |
William Rowley |
| |
Thomas Heywood |
| |
George Chapman |
| |
Cyril Tourneur |
|
Algernon Charles Swinburne |
| NJIB001 |
Agnete and the Merman
|
Jens Baggesen |
| OVAR009 |
Aikin,J. & Barbauld, Anna -Miscellaneous Pieces, In Prose
| |
On the Province of Comedy |
| |
The Hill of Science, A Vision |
| |
On Romances, An Imitation |
| |
Selama; An Imitation of Ossian |
| |
Against Inconsistency in Our Expectations |
| |
Carter's Epictetus |
| |
The Canal and the Brook; An Apologue |
| |
On Monastic Institutions |
| |
On the Pleasure Derived From Objects of Terror; with Sir Bertrand, A Fragment |
| |
On the Heroic Poem of Gondibert |
| |
An Enquiry Into Those Kinds of Distress Which Excite Agreeable Sensations |
| |
Thoughts on the Devotional Taste, on Sects, and on Establishments |
|
Various Authors |
| EWWG005 |
Akra the Slave
|
Wilfrid Wilson Gibson |
| EPBS006 |
Alastor
|
Percy Bysshe Shelley |
| OALX003 |
Alcyone
| |
Alcyone |
| |
In March |
| |
The City of the End of Things |
| |
The Song Sparrow |
| |
Inter Vias |
| |
Refuge |
| |
April Night |
| |
Personality |
| |
To My Daughter |
| |
Chione |
| |
To the Cricket |
| |
The Song of Pan |
| |
The Islet and the Palm |
| |
A Vision of Twilight |
| |
Evening |
| |
The Clearer Self |
| |
To the Prophetic Soul |
| |
The Land of Pallas |
| |
Among the Orchards |
| |
The Poet's Song |
| |
A Thunderstorm |
| |
The City |
| |
Sapphics |
| |
Voices of Earth |
| |
Peccavi, Domine |
| |
An Ode to the Hills |
| |
Indian Summer |
| |
Good Speech |
| |
The Better Day |
| |
White Pansies |
| |
We Too Shall Sleep |
| |
The Autumn Waste |
| |
Vivia Perpetua |
| |
The Mystery of a Year |
| |
Winter Evening |
| |
War |
| |
The Woodcutter's Hut |
| |
Amor Vitæ |
| |
Winter-Break |
|
Archibald Lampman |
| EJDX002 |
All For Love [Play]
|
John Dryden |
| AEAG005 |
All That Matters [Illustrated]
| |
All That Matters |
| |
Until She Died |
| |
The Call |
| |
Mother and the Baby |
| |
Old-fashioned Letters |
| |
God Made this Day for Me |
| |
Forgetful Pa |
| |
Motherhood |
| |
Playing for Keeps |
| |
The Frosting Dish |
| |
Play the Game |
| |
When the Young Are Grown |
| |
The Boy's Ideal |
| |
Just Half of That, Please |
| |
The Common Touch |
| |
Marjorie |
| |
The Newspaper Man |
| |
A Boy and His Dad |
| |
Bread and Gravy |
| |
The Grate Fire |
| |
The Kindly Neighbor |
| |
The Tears Expressive |
| |
The Joys We Miss |
| |
Little Feet |
| |
Just like a Man |
| |
Clinching the Bolt |
| |
His Pa |
| |
Example |
| |
Winding the Clock |
| |
The Need |
| |
Ten-Fingered Mice |
| |
The Things They Mustn't Touch |
| |
The Harder Part |
| |
Youth |
| |
Accomplished Care |
| |
Bulb Planting Time |
| |
His Other Chance |
| |
The Family Doctor |
| |
Denial |
| |
The Workman's Dream |
| |
The Homely Man |
| |
Unchangeable Mother |
| |
Life |
| |
Success |
| |
The Lonely Old Fellow |
| |
Somebody Else |
| |
Effort |
| |
Living |
| |
A Warm House and a Ruddy Fire |
| |
The One in Ten |
| |
To a Young Man |
| |
Afraid of His Dad |
| |
Service |
|
Edgar A. Guest |
| AFGH001 |
Alnwick Castle With Other Poems
| |
To ---- |
| |
Alnwick Castle |
| |
Burns |
| |
Connecticut |
| |
On The Death of Joseph Rodman Drake, of New York |
| |
On The Death of Lieut.William Howard Allen, of the American Navy |
| |
Domestic Happiness |
| |
From the Italian |
| |
Love |
| |
Magdalen |
| |
Marco Bozzaris |
| |
Music |
| |
A Poet's Daughter |
| |
Psalm CXXXVII |
| |
Red Jacket |
| |
A Sketch |
| |
The Field of the Grounded Arms, Saratoga |
| |
Twilight |
| |
Woman |
| |
Wyoming |
|
Fitz-Greene Halleck |
| ABLP001 |
The American Spirit in Literature
|
Bliss Perry |
| EFWB004 |
Among the Flowers and Other Poems
| |
Dedication |
| |
Idle Days |
| |
A Valentine's Day Greeting |
| |
The East Wind |
| |
Spring is Coming |
| |
Love-Flowers |
| |
Wood-Sorrel |
| |
The Difference |
| |
Primroses |
| |
Spring's Footsteps |
| |
An April Shower |
| |
A Spring Evening |
| |
A Soiled Blossom |
| |
Spring Longings |
| |
A New Legend of the Forget-me-not |
| |
Queen Lily |
| |
To A Water-lily At Evening |
| |
The Legend of the Water-lilies |
| |
Voices of the Dead |
| |
The Shadow of Love |
| |
Farewell! |
| |
Angels' Tears |
| |
Gathered Roses |
| |
Waiting |
| |
Forget-Me-Nots |
| |
Brimham Rocks |
| |
Under the Limes |
| |
Clematis |
| |
Autumn Teaching |
| |
Decay |
| |
The Swallows' Farewell |
| |
Only to Live |
| |
Gertrude's Love |
| |
Wherefrom |
| |
Whereto |
| |
Light |
| |
Love the Weaver |
| |
In Storm |
| |
A Moment |
| |
Regions of Love |
| |
The Fickle Sea |
| |
The Chestnut Tree |
| |
So Long Ago! |
| |
Omens |
| |
Annie |
| |
Caeli |
| |
Cleopatra's Mirror |
| |
"Alice, My Wife" |
| |
"Ella; A Reverie, by Rene Favarger" |
| |
Valentine Verses |
| |
The Home of My Heart |
| |
Sea-weed |
| |
Hopes and Fears |
| |
The Troubled Sea |
| |
What Do We? |
| |
The Hill Pass |
| |
To Meet Again |
| |
Seeds of Fire |
| |
A Statue |
| |
Ich Grolle Nicht |
| |
A Race with Love |
| |
Love's Reward |
| |
The Guerdon of Lost Labours |
| |
A Nun's Dream |
| |
A Starry Night |
| |
One Flight |
| |
The Saint and the Lark |
| |
Eden |
| |
"Ethereal" |
| |
River Deeps |
| |
A Hero |
| |
Port Meadow, Oxford |
| |
Una |
| |
The Higher Love |
| |
One Deed of Good |
| |
Two Robbers |
| |
The Unknown Deity |
| |
In Fribourg Cathedral |
| |
"Two That Sleep, and One That Watcheth" |
| |
Easter Eve |
| |
Beckenham |
| |
May 23rd, 1876 |
| |
The Farewell of the Old Year |
| |
A Vision |
|
Francis William Bourdillon |
| AJGW004 |
Among the Hills and Other Poems
| |
Among the Hills |
| |
The Dole of Jarl Thorkell |
| |
The Two Rabbins |
| |
Norembega |
| |
Miriam |
| |
Nauhaught, the Deacon |
| |
The Sisters |
| |
Marguerite |
| |
The Robin |
|
John Greenleaf Whittier |
| OALX002 |
Among the Millet and Other Poems
| |
Among the Millet |
| |
April |
| |
An October Sunset |
| |
The Frogs |
| |
An Impression |
| |
Spring on the River |
| |
Why Do Ye Call the Poet Lonely |
| |
Heat |
| |
Among the Timothy |
| |
Freedom |
| |
Morning on the Lièvres |
| |
In October |
| |
Lament of the Winds |
| |
Ballade of Summer's Sleep |
| |
Winter |
| |
Winter Hues Recalled |
| |
Storm |
| |
Midnight |
| |
Song of the Stream-Drops |
| |
Between the Rapids |
| |
New Year's Eve |
| |
Unrest |
| |
Song |
| |
One Day |
| |
Sleep |
| |
Three Flower Petals |
| |
Passion |
| |
A Ballade of Waiting |
| |
Before Sleep |
| |
A Song |
| |
What Do Poets Want with Gold? |
| |
The King's Sabbath |
| |
The Little Handmaiden |
| |
Abu Midjan |
| |
The Weaver |
| |
The Three Pilgrims |
| |
The Coming of Winter |
| |
Easter Eve |
| |
The Organist |
| |
The Monk |
| |
The Child's Music Lesson |
| |
An Athenian Reverie |
| |
Love-Doubt |
| |
Perfect Love |
| |
Love-Wonder |
| |
Comfort |
| |
Despondency |
| |
Outlook |
| |
Gentleness |
| |
A Prayer |
| |
Music |
| |
Knowledge |
| |
Sight |
| |
An Old Lesson From the Fields |
| |
Winter-Thought |
| |
Deeds |
| |
Aspiration |
| |
The Poets |
| |
The Truth |
| |
The Martyrs |
| |
A Night of Storm |
| |
The Railway Station |
| |
A Forecast |
| |
In November |
| |
The City |
| |
Midsummer Night |
| |
The Loons |
| |
March |
| |
Solitude |
| |
Autumn Maples |
| |
The Dog |
|
Archibald Lampman |
| EDHL039 |
Amores
| |
Tease |
| |
The Wild Common |
| |
Study |
| |
Discord in Childhood |
| |
Virgin Youth |
| |
Monologue of A Mother |
| |
In A Boat |
| |
Week-night Service |
| |
Irony |
| |
Dreams Old and Nascent |
| |
A Winter's Tale |
| |
Epilogue |
| |
A Baby Running Barefoot |
| |
Discipline |
| |
Scent of Irises |
| |
The Prophet |
| |
Last Words to Miriam |
| |
Mystery |
| |
Patience |
| |
Ballad of Another Ophelia |
| |
Restlessness |
| |
A Baby Asleep After Pain |
| |
Anxiety |
| |
The Punisher |
| |
The Virgin Mother |
| |
At the Window |
| |
Drunk |
| |
Sorrow |
| |
Dolor of Autumn |
| |
The Inheritance |
| |
Silence |
| |
Listening |
| |
Brooding Grief |
| |
Lotus Hurt by the Cold |
| |
Malade |
| |
Liaison |
| |
Troth with the Dead |
| |
Dissolute |
| |
Submergence |
| |
The Enkindled Spring |
| |
Reproach |
| |
The Hands of the Betrothed |
| |
Excursion |
| |
Perfidy |
| |
Mating |
| |
A Love Song |
| |
Blue |
| |
Snap-Dragon |
| |
A Passing Bell |
| |
In Trouble and Shame |
| |
Elegy |
| |
Grey Evening |
| |
Firelight and Nightfall |
| |
The Mystic Blue |
|
D. H. Lawrence |
| COVD002 |
Amores - The Loves
|
Ovid * |
| EESP001 |
Amoretti
|
Edmund Spenser |
| EAHC001 |
Amours de Voyage
|
Arthur Hugh Clough |
